Adobe Photoshop CS5 for Photographers - Martin Evening [1]
I came to work on Photoshop only after logging many years earning a living with the product day in and day out, and I greatly value the insights that come only from those who really practice their craft. Martin is one of the best examples of those teacher-practitioners. I could not have been more honored than to have stood beside him as we were both inducted into the Photoshop Hall of Fame in 2008.
When it's all said and done, tools – whether hardware or software – are just tools, and it's your ideas and images that matter. You'll find that Martin knows both sides of the equation and never lets the techniques distract from the vision. I think you'll find his perspective and experience invaluable.
Introduction
Martin Evening
When I first started using Photoshop, it was a much simpler program to get to grips with compared with what we see today. Since then Adobe Photoshop CS5 has evolved to supply photographers with all the tools they need. My aim is to provide you with a working photographer's perspective of what Photoshop CS5 can do and how to make the most effective use of the program.
One of the biggest problems writing a book about Photoshop is that while new features are always being added, Adobe rarely removes anything from the program. Hence, Photoshop has got bigger and more complex over the 14 years or so I have been writing this series of books. When it has come to updating each edition this has begged the question, ‘what should I add and what should I take out?’ This edition of the book is actually slightly bigger than previous versions, but is completely focused on the essential information you need to know when working with Photoshop, Camera Raw and Bridge, plus all that's new in Photoshop CS5 for photographers. Consequently, you'll find a lot of the content goes into greater detail than before on subjects such as Camera Raw editing and high dynamic range imaging.
I work mostly as a professional studio photographer, running a busy photographic business close to the heart of London. On the days when I am not shooting or working on production, I use that time to study Photoshop, present seminars and write my books. This is one of the reasons why this series of Photoshop books has become so successful, because I am a working photographer first and an author second. Although I have had the benefit of a close involvement with the people who make the Adobe Photoshop program, I make no grandiose claims to have written the best book ever on the subject. Like you, I too have had to learn all this stuff from scratch. I simply write from personal experience and aim to offer a detailed book on the subject of digital photography and Photoshop.
This title was initially aimed at intermediate to advanced users, but it soon became apparent that all sorts of people were enjoying the book. As a result of this, I have over the years adapted the content to satisfy the requirements of a broad readership. I still provide good solid professional-level advice, but at the same time I try not to assume too much prior knowledge, and make sure everything is explained as clearly and simply as possible. The techniques shown here are based on the knowledge I have gained from working alongside some of the greatest Photoshop experts in the industry – people such as Jeff Schewe and the late Bruce Fraser, who I regard as true Photoshop masters. I have drawn on this information to provide you with the latest thinking of how to use Photoshop to its full advantage. So rather than me just tell you ‘this is what you should do, because that's the way I do it’, you will find frequent references to how the program works and reasons why certain approaches or methods are better than others. These discussions are often accompanied by diagrams and step-by-step tutorials that will help improve your understanding of the Photoshop CS5 program.
We have recently seen some of the greatest changes ever