Adventures and Letters [22]
latter part of December, 1890, Richard left The Evening Sun to become the managing editor of Harper's Weekly. George William Curtis was then its editor, and at this time no periodical had a broader or greater influence for the welfare of the country. As Richard was then but twenty-six, his appointment to his new editorial duties came as a distinct honor. The two years that Richard had spent on The Evening Sun had been probably the happiest he had ever known. He really loved New York, and at this time Paris and London held no such place in his affections as they did in later years. And indeed there was small reason why these should not have been happy years for any young man. At twenty-six Richard had already accomplished much, and his name had become a familiar one not only to New Yorkers but throughout the country. Youth and health he had, and many friends, and a talent that promised to carry him far in the profession he loved. His new position paid him a salary considerably larger than he had received heretofore, and he now demanded and received much higher terms for his stories. All of which was well for Richard because as his income grew so grew his tastes. I have known few men who cared less for money than did my brother, and I have known few who cared more for what it could buy for his friends and for himself. Money to him, and, during his life he made very large sums of it, he always chose to regard as income but never capital. A bond or a share of stock meant to him what it would bring that day on the Stock Exchange. The rainy day which is the bugaboo for the most of us, never seemed to show on his horizon. For a man whose livelihood depended on the lasting quality of his creative faculties he had an infinite faith in the future, and indeed his own experience seemed to show that he was justified in this belief. It could not have been very long after his start as a fiction writer that he received as high a price for his work as any of his contemporaries; and just previous to his death, more than twenty years later, he signed a contract to write six stories at a figure which, so far as I know, was the highest ever offered an American author. In any case, money or the lack of it certainly never caused Richard any worriment during the early days of which I write. For what he made he worked extremely hard, but the reputation and the spending of the money that this same hard work brought him caused him infinite happiness. He enjoyed the reputation he had won and the friends that such a reputation helped him to make; he enjoyed entertaining and being entertained, and he enjoyed pretty much all of the good things of life. And all of this he enjoyed with the naive, almost boyish enthusiasm that only one could to whom it had all been made possible at twenty-six. Of these happy days Booth Tarkington wrote at the time of my brother's death:
"To the college boy of the early nineties Richard Harding Davis was the `beau ideal of jeunesse doree,' a sophisticated heart of gold. He was of that college boy's own age, but already an editor--already publishing books! His stalwart good looks were as familiar to us as were those of our own football captain; we knew his face as we knew the face of the President of the United States, but we infinitely preferred Davis's. When the Waldorf was wondrously completed, and we cut an exam. in Cuneiform Inscriptions for an excursion to see the world at lunch in its new magnificence, and Richard Harding Davis came into the Palm Room--then, oh, then, our day was radiant! That was the top of our fortune; we could never have hoped for so much. Of all the great people of every continent, this was the one we most desired to see."
Richard's intimate friends of these days were Charles Dana Gibson, who illustrated a number of my brother's stories, Robert Howard Russell, Albert La Montagne, Helen Benedict, now Mrs. Thomas Hastings, Ethel Barrymore, Maude Adams, E. H. Sothern, his brother, Sam, and Arthur Brisbane. None of this little circle was married at the time, its
"To the college boy of the early nineties Richard Harding Davis was the `beau ideal of jeunesse doree,' a sophisticated heart of gold. He was of that college boy's own age, but already an editor--already publishing books! His stalwart good looks were as familiar to us as were those of our own football captain; we knew his face as we knew the face of the President of the United States, but we infinitely preferred Davis's. When the Waldorf was wondrously completed, and we cut an exam. in Cuneiform Inscriptions for an excursion to see the world at lunch in its new magnificence, and Richard Harding Davis came into the Palm Room--then, oh, then, our day was radiant! That was the top of our fortune; we could never have hoped for so much. Of all the great people of every continent, this was the one we most desired to see."
Richard's intimate friends of these days were Charles Dana Gibson, who illustrated a number of my brother's stories, Robert Howard Russell, Albert La Montagne, Helen Benedict, now Mrs. Thomas Hastings, Ethel Barrymore, Maude Adams, E. H. Sothern, his brother, Sam, and Arthur Brisbane. None of this little circle was married at the time, its