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Swimming back to the edge of the deck, we follow it along the starboard side, coming up to an open hatch near the No. 3 turret. I hover over it, looking down into the darkness, my light picking up the tangle of debris that blocks it. Then, to my surprise, I see something rising up to meet me. It is a blob of oil, no bigger than a child’s marble. It passes the edge of the hatch and floats to the surface, where it turns into an iridescent slick. Six seconds later, another globule of oil follows it, and I, like so many others who have watched this phenomenon, am struck by the fact that Arizona still bleeds.

The light-filled warm waters on the shallowly submerged deck give way to darkness as we pass beneath the memorial. I look up through the water and notice visitors staring down, some of them seeing me, others gazing out and a few tossing their offerings of flower leis into the sea. We pause here for a drop over the side, past the empty mount for a 5-inch gun, and drop down to the top of the torpedo blister. The blister, a late addition to the ship’s armored sides, was supposed to protect Arizona from submarine attack by absorbing the impact of a torpedo. The defenses of Pearl Harbor were focused on a submarine attack, not an aerial assault.

The hatches that line the top of the torpedo blister are open, but what we are looking for should be resting atop the blister. In April 1982, the widow of an Arizona survivor who wished to rest with his shipmates dropped his urn from the memorial onto the wreck. With the decision to place urns in the open well of No. 4 turret, the National Park Service has just received her permission to relocate his urn from the blister. I think I see the urn, but it lies inside a corroded section of hull that cuts deep into my thumb when I try to pull it free. We leave the urn there. It is wedged in too deeply, so this is where it will remain.

The dropping of that urn and the decision to allow the interment of other survivors inside the hull of Arizona attest to the ongoing emotional pull of the wreck. I am reminded of that as we drift past the overhanging memorial again and look down at the deck, lit brightly by the sun. Combs, sunglasses and camera lens caps lie where they were dropped accidentally. Coins carpet the deck, so many coins, in fact, that the National Park Service sends in snorkeling rangers to collect these offerings to the sea and donates them to charity. But as we swim along, we spot photographs, some weighted down, others waterlogged and moving loose with the swell. They show women whose hair has gone gray or white, some with younger men and women and babies. I wonder for a second, why these are here, and then it hits me. These are wives and sweethearts, now grown old, sharing children and grandchildren with Arizona’s dead.

We continue on over the remains of the galley. The stubs of the legs of the steam tables, mess tables and the bases of ovens protrude through the mud. Here and there, bright white hexagonal tiles are uncovered as our fins sweep the deck clear of silt. Broken dishes, coffee cups and silverware lie scattered, reminders of a breakfast forever interrupted. The tile on the decks gives way to teak, unblemished and still polished in places. Despite the passage of decades and the onslaught of corrosion, there are places that time has not touched. In addition to the teak decks, we find a porthole with its glass in place, and inside it, the steel blast cover set tight and dogged down in condition “Z” for battle. Between the steel and the glass, the space is only partially flooded with oily water.

Another moment stopped in time lies on Arizona. Snaked-out lines of fire hose show where some of the crew fought not against the attacking enemy but to save their ship. As thick, choking smoke smothered the decks, men dragged out hoses to deal with the fires caused by the several bombs that hit the ship. Those men were wiped clean off the decks by the final blast that sank Arizona. Seven bombs hit the battleship