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By Root 727 0

broken. The crew did not make it out, but the Germans recovered their bodies and buried them. What Mike and Warren find is battle-torn aluminum, original paint and what appears to be the barrels of the tail gunner’s machine gun, stuck fast in the mud, as Warren squeezes inside the tail section. Cold, constricted and seemingly frozen in time as well as into the ice, the downed Lancaster is a shallow but difficult dive into the past. It is also a fitting introduction to the dives that await all of us at Dora.

DIVING INSIDE A MOUNTAIN

Our long trek into Dora’s depths takes us to a side tunnel and to the half-flooded Gallery 44, where starving inmates built V-1 rockets. Not only is the gallery flooded, but its upper level, supported by steel beams and a concrete floor, has collapsed into the water. Our lights pick out the shapes of broken slabs and half-crushed rockets beneath the water, which lies one to nine feet deep over the mounded debris along the flooded, 30-foot wide, 500-foot-long gallery. The far end is sealed off, buried by a cascade of rock when the ceiling collapsed. The water is cold and has a sharp metallic smell. A faint scum of rust and oil slicks the surface.

I’m glad that I am sitting this dive out, watching Mike and Warren as they suit up to take an hour-long snorkel, floating along the surface to film what lies below them. The flooded gallery is so filled with silt and rust that we are keeping our presence in the water to a minimum to avoid stirring it up so the divers can capture the best images possible. The cameras record stacks of V-1 wings and rocket bodies and a stack of gyrocompasses that would have been assembled in the noses of rockets to guide them to their targets. Tumbled workbenches and tables, equipment, and signs painted on machines and walls—warnings to do not touch this and to go in that direction—show not only the assembly line but a little of what life was like here.

John Davis gives a hand to Mike Fletcher as he climbs out of one of the water-filled tunnels of Dora. James P. Delgado

We have time for only one other dive, this one in a flooded chamber. It’s my turn to join Mike and Warren, and I quickly dress in the half-darkness, pulling on a thick fleece undergarment and the dense shell of my dry suit. The rubber seals at my throat and wrists will close the suit off from the freezing water. I pull on my weight belt and tank, rigging my equipment tightly against my body to keep the hoses from dragging or catching once I’m inside the tight confines of the flooded room. A neoprene hood leaves only part of my face exposed, and my breath fogs and clouds the inside of my face mask. I’m already chilled as I gear up next to a black mold-covered, slimy piece of canvas that once curtained off this gallery as workers painted V-1 rocket bodies. My natural instinct is to not want to touch anything.

Mike and Warren go first, disappearing through a hole and into the darkness. I follow, feet first. The cold, even through the suit, is a shock. John Davis watches from above, and on my last glimpse of him through the oil-slicked surface of the hole, I see concern on his face. He should be worried. The three of us are entering a tight dark space that could collapse and bury us. Electric wires and lights still dangle from the ceiling, reaching out to snag us. Rust and silt, dislodged by our bubbles, filter down through the water and black out the light and our visibility. There’s only one way out, through what now seems to be a tiny hole, and leaving it behind as we work our through the murky, dark water, takes resolve.

I’m spurred on by what I see. A coffee cup sits on the top of a desk, and a book rests nearby. Drawers, some half open, are filled with tools. Paint still covers the walls, and as I gaze up at the ceiling above me, the lights still hang from their wires, with unbroken bulbs inside the metal shades. As I swim forward through this dark, flooded room, I find Mike and Warren poised at a doorway that leads into another room. The door, on a sliding track, is half closed.

Mike gently