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After America - Mark Steyn [91]

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instinct seems all but lost.

To return to Gloria Steinem, when might a fish need a bicycle? The women of Montreal’s École Polytechnique could have used one when Marc Lépine walked in with a gun and told all the men to leave the room. They meekly did as ordered. He then shot all the women.131

To those who succeeded in imposing the official narrative, Marc Lépine embodies the murderous misogynist rage that is inherent in all men, and which all must acknowledge.

For a smaller number of us, the story has quite the opposite meaning: Marc Lépine was born Gamil Gharbi, the son of an Algerian Muslim wifebeater. And no, I’m not suggesting he’s typical of Muslim men or North African men: my point is that he’s not typical of anything, least of all what we might call (if you’ll forgive the expression) Canadian manhood. The defining image of contemporary maleness is not Monsieur Lépine/Gharbi but the professors and the men in that classroom, who, ordered to leave by the lone gunman, obeyed, and abandoned their female classmates to their fate—an act of abdication that would have been unthinkable in almost any other culture throughout human history. The “men” stood outside in the corridor and, even as they heard the first shots, they did nothing. And, when it was over and Gharbi walked out of the room and past them, they still did nothing. Whatever its other defects, Canadian manhood does not suffer from an excess of testosterone.

In 2009, the director Denis Villeneuve made a film of the story, Polytechnique. “I wanted to absolve the men,” he said. “People were really tough on them. But they were 20 years old.... It was as if an alien had landed.”132

But it’s always as if an alien had landed. When another Canadian director, James Cameron, filmed Titanic, what most titillated him were the alleged betrayals of convention. It’s supposed to be “women and children first,” but he was obsessed with toffs cutting in line, cowardly men elbowing the womenfolk out of the way and scrambling for the lifeboats, etc. In fact, all the historical evidence is that the evacuation was very orderly. In real life, First Officer William Murdoch threw deckchairs to passengers drowning in the water to give them something to cling to, and then he went down with the ship—the dull, decent thing, all very British, with no fuss. In Cameron’s movie, Murdoch takes a bribe and murders a third-class passenger. (The director subsequently apologized to the First Officer’s home town in Scotland and offered £5,000 toward a memorial. Gee, thanks.)133 Mr. Cameron notwithstanding, the male passengers gave their lives for the women, and would never have considered doing otherwise. “An alien landed” on the deck of a luxury liner—and men had barely an hour to kiss their wives goodbye, watch them clamber into the lifeboats, and sail off without them. The social norm of “women and children first” held up under pressure.

Today, in what Harvey Mansfield calls our “gender-neutral society,” there are no social norms. Eight decades after the Titanic, a German-built ferry en route from Estonia to Sweden sank in the Baltic Sea. Of the 1,051 passengers, only 139 lived to tell the tale.134 But the distribution of the survivors was very different from that of the Titanic. Women and children first? No female under fifteen or over sixty-five made it. Only 5 percent of all women passengers lived. The bulk of the survivors were young men. Forty-three percent of men aged 20 to 24 made it.

No two ship disasters are the same, but the testimony from the MV Estonia provides a snapshot of our new world: according to the Finnish Accident Investigation Board’s official report, several survivors reported that “everyone was only looking out for himself.” According to a Swedish passenger, Kent Harstedt, “A woman had broken her legs and begged others to give her a life jacket, but it was the law of the jungle.”135 “Some old people had already given up hope and were just sitting there crying,” said Andrus Maidre, a 19-year-old Estonian. “I stepped over children who were wailing and holding onto the railing.

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