AFTER DARK [10]
every-day peculiarities of dress and manner. People will assume an expressio n, will brush up their hair, will correct any little characteristic carelessness in their apparel--will, in short, when they want to have their likenesses taken, look as if they were sitting for their pictures. If I paint them, under these artificial circumstances, I fail of course to present them in their habitual aspect; and my portrait, as a necessary consequence, disappoints everybody, the sitter always included. When we wish to judge of a man's character by his handwriting, we want his customary scrawl dashed off with his common workaday pen, not his best small-text, traced laboriously with the finest procurable crow-quill point. So it is with portrait-painting, which is, after all, nothing but a right reading of the externals of character recognizably presented to the view of others.
Experience, after repeated trials, has proved to me that the only way of getting sitters who persist in assuming a set look to resume their habitual expression, is to lead them into talking about some subject in which they are greatly interested. If I can only beguile them into speaking earnestly, no matter on what topic, I am sure of recovering their natural expression; sure of seeing all the little precious everyday peculiarities of the man or woman peep out, one after another, quite unawares. The long, maundering stories about nothing, the wearisome recitals of petty grievances, the local anecdotes unrelieved by the faintest suspicion of anything like general interest, which I have been condemned to hear, as a consequence of thawing the ice off the features of formal sitters by the method just described, would fill hundreds of volumes, and promote the repose of thousands of readers. On the other hand, if I have suffered under the tediousness of the many, I have not been without my compensating gains from the wisdom and experience of the few. To some of my sitters I have been indebted for information which has enlarged my mind--to some for advice which has lightened my heart--to some for narratives of strange adventure which riveted my attention at the time, which have served to interest and amuse my fireside circle for many years past, and which are now, I would fain hope, destined to make kind friends for me among a wider audience than any that I have yet addressed.
Singularly enough, almost all the best stories that I have heard from my sitters have been told by accident. I only remember two cases in which a story was volunteered to me, and, although I have often tried the experiment, I cannot call to mind even a single instance in which leading questions (as the lawyers call them) on my part, addressed to a sitter, ever produced any result worth recording. Over and over again, I have been disastrously successful in encouraging dull people to weary me. But the clever people who have something interesting to say, seem, so far as I have observed them, to acknowledge no other stimulant than chance. For every story which I propose including in the present collection, excepting one, I have been indebted, in the first instance, to the capricious influence of the same chance. Something my sitter has seen about me, something I have remarked in my sitter, or in the room in which I take the likeness, or in the neighborhood through which I pass on my way to work, has suggested the necessary association, or has started the right train of recollections, and then the story appeared to begin of its own accord. Occasionally the most casual notice, on my part, of some very unpromising object has smoothed the way for the relation of a long and interesting narrative. I first heard one of the most dramatic of the stories that will be presented in this book, merely through being carelessly inquisitive to know the history of a stuffed poodle-dog.
It is thus not without reason that I lay some stress on the desirableness of prefacing each one of the following narratives by a brief account of the curious manner in which I became possessed of it. As to my capacity for repeating
Experience, after repeated trials, has proved to me that the only way of getting sitters who persist in assuming a set look to resume their habitual expression, is to lead them into talking about some subject in which they are greatly interested. If I can only beguile them into speaking earnestly, no matter on what topic, I am sure of recovering their natural expression; sure of seeing all the little precious everyday peculiarities of the man or woman peep out, one after another, quite unawares. The long, maundering stories about nothing, the wearisome recitals of petty grievances, the local anecdotes unrelieved by the faintest suspicion of anything like general interest, which I have been condemned to hear, as a consequence of thawing the ice off the features of formal sitters by the method just described, would fill hundreds of volumes, and promote the repose of thousands of readers. On the other hand, if I have suffered under the tediousness of the many, I have not been without my compensating gains from the wisdom and experience of the few. To some of my sitters I have been indebted for information which has enlarged my mind--to some for advice which has lightened my heart--to some for narratives of strange adventure which riveted my attention at the time, which have served to interest and amuse my fireside circle for many years past, and which are now, I would fain hope, destined to make kind friends for me among a wider audience than any that I have yet addressed.
Singularly enough, almost all the best stories that I have heard from my sitters have been told by accident. I only remember two cases in which a story was volunteered to me, and, although I have often tried the experiment, I cannot call to mind even a single instance in which leading questions (as the lawyers call them) on my part, addressed to a sitter, ever produced any result worth recording. Over and over again, I have been disastrously successful in encouraging dull people to weary me. But the clever people who have something interesting to say, seem, so far as I have observed them, to acknowledge no other stimulant than chance. For every story which I propose including in the present collection, excepting one, I have been indebted, in the first instance, to the capricious influence of the same chance. Something my sitter has seen about me, something I have remarked in my sitter, or in the room in which I take the likeness, or in the neighborhood through which I pass on my way to work, has suggested the necessary association, or has started the right train of recollections, and then the story appeared to begin of its own accord. Occasionally the most casual notice, on my part, of some very unpromising object has smoothed the way for the relation of a long and interesting narrative. I first heard one of the most dramatic of the stories that will be presented in this book, merely through being carelessly inquisitive to know the history of a stuffed poodle-dog.
It is thus not without reason that I lay some stress on the desirableness of prefacing each one of the following narratives by a brief account of the curious manner in which I became possessed of it. As to my capacity for repeating