After the First Death - Lawrence Block [20]
I left the hotel, had eggs and sausages at a luncheonette around the corner. My hotel rent was paid a week in advance—I’d told them something about the airlines having done something unusual with my luggage. I forced myself to dawdle over a second cup of coffee, fighting the urge to rush back to the safety of the hotel room. After all, it would not be safe forever. I was better off using it not as a refuge but as a base of operations. It would not do to let the police find the murderer. I had to find him myself, and the longer I waited the more elusive he would no doubt become.
Who on earth was he?
Someone who hated me. Someone who wanted me well out of the way. Someone who would inherit my money or take my job or steal my wife once I had been deftly removed from the picture.
Except that I had no wife and no job and very little money. And no known enemies. And no friends who might be enemies in secret. And no women who might be women scorned. I was a threat to no one, an obstacle to no one, a confidant to no one, a lover to no one. I scarcely existed.
Years ago, of course, it had been different I was an up-and-coming young professor with a book half-finished and an emerging reputation in academic circles. I had a wife, I had friends, I was a person. But now …
Then daylight dawned. I sat stunned for a full minute. I stood up at last dropped some coins on the formica table, took my check to the cashier, paid, left. The afternoon sun hurt my eyes. I wondered if a pair of drugstore sunglasses might help my disguise, or if they would be more apt to direct attention my way. I decided that this was something I would think about later, when I did not have infinitely more important things to contemplate.
How had I missed it before? It was extraordinary. And yet when one’s mind has been painfully, tortuously conditioned to accept something as fact, one is not quick to challenge that fact thereafter.
I walked. A policeman glanced my way, then returned to the job of directing traffic. I shivered at his glance. I lowered my head, concentrated on my walk, my shoulders stooped, my head bowed, my feet covering the ground more slowly than usual I walked to my hotel, and I walked past my hotel, and I turned at the corner and headed downtown.
From an outdoor phone booth at the corner of Fourth Avenue and Twenty-fifth Street I called a man many miles away. I had heard that most pay phones in Manhattan are tapped, but I didn’t really believe it could be dangerous. The police could not possibly have the personnel to listen to all of the phones all of the time. I didn’t care. I got his number from Information, and I dialed it direct, hoping he’d be in his office. He was.
I said, all in a rush, “Warden Pillion, this is Alex Penn, I have to talk to you, I didn’t kill that girl I never killed anybody—”
“Where are you, Alex?”
“Chicago.” Never trust anyone. “I have to—”
“You’d better turn yourself in, Alex.”
“I didn’t kill that girl, Warden. I was framed. I can’t prove it and I can’t expect anyone to believe it, but I know it I saw someone else kill her just before I passed out Damn it I remember it. And—”
“The police will—”
“The police will throw me in a cell. I wouldn’t blame them a bit You don’t believe me, do you?”
“Well, I—”
“No reason why you should. Warden, Just let me talk a minute, that’s all I know. I didn’t kill the girl Or the first one, Evangeline Grant I never could believe that I had done it I never remembered it and the pattern’s the same, someone must have framed me. Because there’s no reason for anyone to frame me now. I’m nothing, I’m not even a person, nobody even knows me, but I used to be somebody and have things and somebody framed me then, some son of a bitch did it to me, and did it again the night before last and—”
“What do you want me to say, Alex?”
“I don’t know.”
I have to tell you to turn yourself in. You know that.”
“Yes.”
“Of course you don’t have to do what you’re told, do you?”
“Thank you, Warden.”
“Be