After the First Death - Lawrence Block [9]
“I always thought I was one who could.”
“Perhaps you could have, at one time. Don’t experiment. Stay away from drink. Keep the lid on tight. Learn from the past, Alex. God, yes, learn from the past, don’t repeat it. It’s not a good past Don’t repeat it.”
I wanted to call him. I wanted to get him on the phone—better, to see him in person, in his office, sitting across the desk from him, telling him about it. I had not learned from the past, I had repeated it, and there would be no third chance.
I took some aspirin, then wandered around the apartment trying to think what it held that I might want to take with me. Certainly there must have been specific articles which might have been of value to a criminal on the run, but this was a role I had never before played and one to which I was consequently quite unaccustomed. I had to run. Presumably I had to run somewhere. But where? Embezzlers went to Brazil. Western gunmen went to the Badlands. Where did modern-day murderers go? And how?
Or did one merely attempt to avoid capture, staying in the same city, lurking in familiar haunts? That seemed unlikely. From what I had read, criminals usually headed for bright lights, the busy downtown sections of major cities. And there they were quickly caught. Or else they raced for the Mexican border, and were captured attempting to cross it.
Perhaps if I just went somewhere in the Midwest. But my face would be broadcast everywhere, newspapers, television. I would be recognized, I would be caught—
I left the apartment without taking anything with me. Not even my checkbook, nothing, nothing at all. I left the apartment and started walking.
4
MY FELLOW CONVICTS AND I WERE CHEAT TELEVISION FANS. We liked most shows (except for the cute situation comedies, which almost everyone hated) but the crime programs were our favorite hands down. We loved The Fugitive. I’ve read thoughtful analyses of the show which suggest that it represents wish-fulfillment for the American public—Kimble is innocent, but he has to stay on the run, and thus has an excuse to lead an escapist life with no permanent ties, etc., etc., etc. It certainly represented wish-fulfillment for all of us. Because the cops were after the sonofabitch, but he was on the outside, and he stayed on the outside, and in the course of staying on the outside he ran across a statistically improbable quantity of goodlooking women.
For several years I never missed that program. In the summer I watched the re-runs. So you would have thought that I would have learned something about the problem of functioning as a fugitive from justice. It seemed now that all those weeks of watching David Janssen scamper from hither to yon had done me no good at all. He always went interesting places and did interesting things. He got jobs, colorful jobs, and he concealed his true identity with the resourcefulness of Clark Kent, and he always knew which people to take into his confidence. But, more than that, he always seemed to be guided by some special sort of master plan. He never sat around like a dolt wondering what to do next, or where to go, or whether it wouldn’t be better to drown himself. When all else failed, he could start hunting the one-armed man again. But in the meantime there was always a place for him to go, a bit of business for him to involve himself in, a new road for him to follow.
I was an utter failure as a fugitive. I walked uptown to Fourteenth Street and west to Union Square. I ate baked beans and scrambled eggs and home fries at the Automat, and drank a few cups of coffee. I took a subway to Times Square. I got off the subway with seventy-five cents left. I spent fifty-five cents to get into a Forty-second Street movie, a pair of westerns, Audie Murphy, Randolph Scott. I spent ten cents on a candy bar. I sat in the balcony and smoked cigarettes and watched the movies. I had ten cents