After the Funeral - Agatha Christie [1]
She’d remembered him all right. “Why, it’s Lanscombe!” she’d said and seemed ever so pleased to see him. Ah, they’d all been fond of him in the old days and when there was a dinner party they’d crept down to the pantry and he’d given them jelly and Charlotte Russe when it came out of the dining room. They’d all known old Lanscombe, and now there was hardly anyone who remembered. Just the younger lot whom he could never keep clear in his mind and who just thought of him as a butler who’d been there a long time. A lot of strangers, he had thought, when they all arrived for the funeral—and a seedy lot of strangers at that!
Not Mrs. Leo—she was different. She and Mr. Leo had come here off and on ever since Mr. Leo married. She was a nice lady, Mrs. Leo—a real lady. Wore proper clothes and did her hair well and looked what she was. And the master had always been fond of her. A pity that she and Mr. Leo had never had any children….
Lanscombe roused himself; what was he doing standing here and dreaming about old days with so much to be done? The blinds were all attended to on the ground floor now, and he’d told Janet to go upstairs and do the bedrooms. He and Janet and the cook had gone to the funeral service in the church but instead of going on to the Crematorium they’d driven back to the house to get the blinds up and the lunch ready. Cold lunch, of course, it had to be. Ham and chicken and tongue and salad. With cold lemon soufflé and apple tart to follow. Hot soup first—and he’d better go along and see that Marjorie had got it on ready to serve, for they’d be back in a minute or two now for certain.
Lanscombe broke into a shuffling trot across the room. His gaze, abstracted and uncurious, just swept up to the picture over this mantelpiece—the companion portrait to the one in the green drawing room. It was a nice painting of white satin and pearls. The human being round whom they were draped and clasped was not nearly so impressive. Meek features, a rosebud mouth, hair parted in the middle. A woman both modest and unassuming. The only thing really worthy of note about Mrs. Cornelius Abernethie had been her name— Coralie.
For over sixty years after their original appearance, Coral Cornplasters and the allied “Coral” foot preparations still held their own. Whether there had ever been anything outstanding about Coral Cornplasters nobody could say—but they had appealed to the public fancy. On a foundation of Coral Cornplasters there had arisen this neo-Gothic palace, its acres of gardens, and the money that had paid out an income to seven sons and daughters and had allowed Richard Abernethie to die three days ago a very rich