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Afterlight - Elle Jasper [30]

By Root 657 0
frantically, and searched the area of cobbles below his window. Vacant. Chaz jumped up, his paws on the sill and still barking like a mad dog, and I searched up and down River Street in the waning light. “Seth!” I called again. It was no use. He was gone. And I was in sickening shock. I didn’t think beyond that; I pushed off the sill and ran for the door, screaming my brother’s name. “Seth!” No way could he have made that fall and just . . . run off. Unless he was using. Dammit! I made it ten feet before Preacher grabbed me around my waist and pulled me to a halt. “Let me go!” I said, unthinking, and pulled hard against him. He held fast, and I went nowhere. Overcome with distress, I sagged against him. My brain couldn’t make sense of anything. “What’s going on, Preacher?”

“Girl,” Preacher said gently. “Shush now.” Somewhere behind me, Nyx wept softly. He touched my chin, and I turned and searched his dark eyes. He asked me nothing, just commanded me with gentle urgency. Obviously, he knew something, since none of this seemed to be freaking him out. “You come wit me now,” he said, and headed out of the door. Nothing I looked at was the same as before. Nothing and no one. I don’t know why I felt that so fast, but I did; all from just five words spoken from the mouth of a wise Gullah root doctor. Sensations of fear, panic, anxiety, rushed me. That, and the fact that my levitating, drug-using brother had flown out of a two-story building and disappeared.

Knowing what her answer would be, I glanced at Nyx. “Will you close up for me and wait here, in case he comes back?” I asked.

“He ain’t comin’ back tonight,” Preacher said from the hall, and my stomach dropped. “It’s time now. Come,” he commanded. I drew in a deep breath and numbly followed Preacher out, trailing behind him into the afterlight.

Part 4

INTRODUCTIONS

I had absolutely no idea where we were going, but I followed Preacher with blind faith and silence, out into Savannah’s humid dusk. I almost felt like I was out of my body, invisible to everyone around me. All I could think about was my brother; all I really wanted to hear was that Seth would be okay. I doubted seriously I’d hear it right now. Preacher moved wordlessly, and he’d speak when he was damn well ready. Meanwhile, I was dying inside: I fought tears and panic. I felt like screaming at the top of my lungs. I kept my mouth closed, but my silence burned in my throat.

As we hurried along, I knew it wouldn’t do me a bit of good to ask the old conjurer where we were headed; he’d either ignore me or tell me to hush and wait till we git dere, so I simply kept up. A fair number of people were out and about as we crossed Bay Street; we hurried past a walking ghost tour heading toward the Kehoe House. People were sitting on park benches or strolling through the squares—none of them privy to the fact that something very unnatural had just occurred.

The threat of rain hung heavy in the air, and I could taste it and the ever-present brine on my tongue; no sooner had that thought crossed my mind than distant thunder rolled overhead. Shadows stretched long over the squares as lamplight fell over monuments and benches, making everything seem distorted, aberrant. Even the towering oaks seemed menacing, with long, outstretched arms reaching toward me as I passed beneath, and moss looking more like stringy witch’s hair than one of Savannah’s icons. The world around me sounded indistinct and displaced, like I was holding a seashell up to my ear. I shook off the weirdness as best as I could, and hurried along with Preacher.

We walked, nonstop and silent, all the way to Taylor Street, where the old Gullah turned right. When we hit Monterey Square, he crossed the street and stopped at the large white-brick historic three-story building on the corner. Black wrought-iron balconies on the second and third stories faced the square; the house was canopied by mammoth, moss-draped oaks—typical of the district. On the front gate hung a brass plate that read HOUSE OF DUPRÉ, 1851. Sure—the Dupré House. I’d seen it a hundred

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