Agaat - Marlene van Niekerk [163]
The music you selected to suit your mood. Jak usually rolled his eyes at your music. A Strauss waltz he could just about tolerate. But this was not a night for Viennese waltzes, it was a night for violas, for mezzo-sopranos, for dark, melancholy sex.
What did you play that night on the old turntable? A cello sonata by Rachmaninoff? Lieder by Brahms? O komme, holde Sommernacht? Meine Liebe ist grün? And lieder by Schubert and Schumann? Der Hirt auf dem Felsen? Widmung?
Let me satiate myself with it, you thought, let me charge myself with all these subtle European yearnings. Let me ignite his blood with these melodies in my body, through osmosis.
What a massive over-estimation of yourself. To expect that you could attract him again after all the hard words, the slaps and the jibes and the grudge he bore you. To dream that surely there could someday be something more somewhere.
There was more to him. Much more than you could imagine at that stage.
That was your problem, Milla, a lack of imagination. You read him wrongly, looked past what was in him, you could assess him only in your terms, couldn’t imagine that anybody, even Jak, shouldn’t be able sometimes to yearn exactly like you—for tenderness, for excitement, for eyes mutually intoxicated.
How in God’s name did you conceive this notion?
Romantic German Lieder! That had much to do with it.
Sehnsucht. Lust. Wonne. Duft. The words alone had enchanted you as a student, the impossibly beautiful melodies. You would never recover from it. But wasn’t it a bit much to expect that you would, on wings of that kind of song, consent to being a muse for life in the Overberg the other side of Swellendam, to somebody, the son of a provincial doctor?
You were forty. You knew enough at that stage to be able to live with irony. You need only look around you and there were other realities, perhaps other songs that would be better suited to your world, other words to rhyme with and to sing.
Ewe, ram, kloof, buttermilk, barley, pizzle, ruttish, bluegum, wattle, lucerne flower, lark.
But that night irony was not in your repertoire. To you Grootmoedersdrift was all ‘rieselnder Quell’, all ‘flispernde Pappeln’, and in your slippery black satin garb you wandered through the sitting room to the left wing and pushed open Jak’s door and went to lie on top of him and kissed him in the neck gently.
He mumbled impatiently but it was clear that your advance had an effect on him. You unbuttoned his pyjamas and stroked his chest, you put your hand into his fly. You took his hand and pressed it between your legs so that he could feel your moist pubic hair.
Not that such doings had anything remotely to do with ‘Frauenliebe und -leben’ or a ‘girrendes Taubenpaar’, but you thought you knew how you had to handle him. You thought so.
Come to me, you whispered in his ear, come, I’m in the sitting room, I’m waiting for you.
You put on a new record, a selection of Schumann songs, and went to lie on the sofa with a glass of wine in your hand.
Maja of The Spout! If you think back on it now! What third-rate play-acting!
Jak appeared in the door sleepily. His hair was