Agincourt - Bernard Cornwell [21]
It was an evening of warm and limpid light. The air was pale-bright and the river slid gently between its flowery banks where willows and alders grew. The French banners hung motionless above their tents. Some smoke still sifted from the burned houses to rise soft into the evening air until it faded high in the cloudless sky. Martins and swallows hunted beside the city’s wall, swooping and twisting.
Nicholas Hook leaned on the ramparts. His unstrung bow was propped beside him as his thoughts drifted back to England, to the manor, to the fields behind the long barn where the hay would be almost ready for cutting. There would be hares in the long grass, trout in the stream, and larks in the twilight. He thought about the decaying cattle byre in the field called Shortmead, the byre with rotting thatch and a screen of honeysuckle behind which William Snoball’s young wife Nell would meet him and make silent, desperate love. He wondered who was coppicing the Three Button wood and, for the thousandth time, how the wood had got its name. The tavern in the village was called the Three Buttons and no one knew why, not even Lord Slayton, who sometimes limped on crutches beneath the tavern’s lintel and put silver on the serving hatch to buy all present an ale. Then Hook thought of the Perrills, malevolent and ever-present. He could not go home now, not ever, because he was an outlaw. The Perrills could kill him and it would not be murder, not even manslaughter, because an outlaw was beyond the law’s help. He remembered the window in the London stable, and knew God had told him to take the Lollard girl through that window, but he had failed and he thought he must be cut off from the heavenly light beyond that window forever. Sarah. He often murmured her name aloud as though the repetition could bring forgiveness.
The evening peace vanished in noise.
But first there was light. Dark light, Hook thought later, a stab of dark light, flame-black red light that licked like a hell-serpent’s tongue from an earthwork the French had dug close to one of their gaunt catapults. That tongue of wicked fire was visible for an instant before it was obliterated in a thunder-cloud of dense black smoke that billowed sudden, and then the noise came, an ear-punching blow of sound that shook the heavens to be followed by another crack, almost as loud, as something struck the city wall.
The wall shook. Hook’s bow toppled and clattered onto the stones. Birds were screaming as they flew from the flame, smoke and lingering noise. The sun was gone, hidden by the black cloud, and Hook stared and was convinced, at least for a moment, that a crack had opened in the earth and that the fires of hell had vomited their way to the surface.
“Sweet bloody Christ!” an archer said in awe.
“Was wondering when that would happen,” another archer said in disgust. “A gun,” he explained to the first man, “have you never seen a gun?”
“Never.”
“You’ll see them now,” the second man said grimly.
Hook had never seen a gun either, and he flinched when a second one fired to add its filthy smoke to the summer sky. Next day another four cannons added their fire and the six French guns did far more damage than the four big wooden machines. The catapults were inaccurate and their jagged boulders often missed the ramparts and dropped into the city to crush houses that started burning as their kitchen fires were scattered, but the gun-stones ate steadily at the city wall, which was already in bad repair. It took only two days for the outer face of the wall to crumble into the wide fetid ditch, and then the gunners systematically widened the breach as the Burgundians countered by making a semicircular barricade behind the disintegrating wall.
Each gun fired three times a day, their shots as regular as the bells of a monastery calling men to prayer. The Burgundians had their own gun, which had been mounted on a southern bastion in the expectation that the French would attack from the Paris road, and it took two days to drag the weapon