Agincourt - Bernard Cornwell [39]
“But we’re not allowed out,” Hook said.
“No, you’re not allowed out,” the ventenar conceded, “but you’re not prisoners.” He grinned. “If you were prisoners, lad, you wouldn’t be cuddling that little lass every night. Where’s your bow?”
“Lost it in France.”
“Then let’s find you a new one,” the ventenar said. He was called Venables and he had fought for the old king at Shrewsbury where he had taken an arrow in the leg that had left him with a limp. He led Hook to an undercroft of the great keep where there were wide wooden racks holding hundreds of newly made bows. “Pick one,” Venables said.
It was dim in the undercroft where the bowstaves, each longer than a tall man, lay close together. None was strung, though all were tipped with horn nocks ready to take their cords. Hook pulled them out one by one and ran a hand across their thick bellies. The bows, he decided, had been well made. Some were knobbly where the bowyer had let a knot stand proud rather than weaken the wood, and most had a faintly greasy feel because they had been painted with a mix of wax and tallow. A few bows were unpainted, the wood still seasoning, but those bows were not yet ready for the cord and Hook ignored them. “They’re mostly made in Kent,” Venables said, “but a few come from London. They don’t make good archers in this part of the world, boy, but they do make good bows.”
“They do,” Hook agreed. He had pulled one of the longest staves from the rack. The timber swelled to a thick belly that he gripped in his left hand as he flexed the upper limb a small amount. He took the bow to a place where sunlight shone through a rusted grating.
The stave was a thing of beauty, he thought. The yew had been cut in a southern country where the sun shone brighter, and this bow had been carved from the tree’s trunk. It was close-grained and had no knots. Hook ran his hand down the wood, feeling its swell and fingering the small ridges left by the bowyer’s float, the drawknife that shaped the weapon. The stave was new because the sapwood, which formed the back of the bow, was almost white. In time, he knew, it would turn to the color of honey, but for now the bow’s back, which would be farthest from him when he hauled the cord, was the shade of Melisande’s breasts. The belly of the bow, made from the trunk’s heartwood, was dark brown, the color of Melisande’s face, so that the bow seemed to be made of two strips of wood, one white and one brown, which were perfectly married, though in truth the stave was one single shaft of beautifully smoothed timber cut from where the heartwood and sapwood met in the yew’s trunk.
God made the bow, a priest had once said in Hook’s village church, as God made man and woman. The visiting priest had meant that God had married heartwood and sapwood, and it was this marriage that made the great war bow so lethal. The dark heartwood of the bow’s belly was stiff and unyielding. It resisted bending, while the light-colored sapwood of the bow’s spine did not mind being pulled into a curve, yet, like the heartwood, it wanted to straighten and it possessed a springiness that, released from pressure, whipped the stave back to its normal shape. So the flexible spine pulled and the stiff belly pushed, and so the long arrow flew.
“Have to be strong to pull that one,” Venables said dubiously. “God knows what that bowyer was thinking! Maybe he thought Goliath needed a stave, eh?”
“He didn’t want to cut the stave,” Hook suggested, “because it’s perfect.”
“If you think you can draw it, lad, it’s yours. Help yourself to a bracer,” Venables said, gesturing to a pile of horn bracers, “and to a cord.” He waved toward a barrel of strings.
The cords had a faintly sticky feel because the hemp had been coated with hoof glue to protect the strings from damp. Hook found a couple of long cords and tied a loop-knot in the end of one that he hooked over the notched horn-tip of the bow’s lower limb. Then, using all his strength, he flexed the bow to judge the length of cord needed, made a loop in the other end of the string and, again exerting every