ALCIBIADES [7]
profit the enemy but little, should they be conquerors, whereas, if they were defeated, Sparta itself was hardly safe. After this battle at Mantinea, the select thousand of the army of the Argives attempted to overthrow the government of the people in Argos, and make themselves masters of the city; and the Lacedaemonians came to their aid and abolished the democracy. But the people took arms again, and gained the advantage, and Alcibiades came in to their aid and completed the victory, and persuaded them to build long walls, and by that means to join their city to the sea, and so to bring it wholly within reach of the Athenian power. To this purpose he procured them builders and masons from Athens, and displayed the greatest zeal for their service, and gained no less honour and power to himself than to the commonwealth of Athens. He also persuaded the people of Patrae to join their city to the sea, by building long walls; and when some one told them, by way of warning, that the Athenians would swallow them up at last, Alcibiades made answer, "Possibly it may be so, but it will be by little and little, and beginning at the feet, whereas the Lacedaemonians will begin at the head and devour you all at once." Nor did he neglect either to advise the Athenians to look to their interests by land, and often put the young men in mind of the oath which they had made at Agraulos, to the effect that they would account wheat and barley, and vines and olives, to be the limits of Attica; by which they were taught to claim a title to all land that was cultivated and productive. But with all these words and deeds, and with all this sagacity and eloquence, he intermingled exorbitant luxury and wantonness, in his eating and drinking and dissolute living; wore long purple robes like a woman, which dragged after him as he went through the market-place; caused the planks of his galley to be cut away, that so he might lie the softer, his bed not being placed on the boards, but hanging upon girths. His shield, again, which was richly gilded, had not the usual ensigns of the Athenians, but a Cupid, holding a thunderbolt in his hand, was painted upon it. The sight of all this made the people of good repute in the city feel disgust and abhorrence, and apprehension also, at his free living, and his contempt of law, as things monstrous in themselves, and indicating designs of usurpation. Aristophanes has well expressed the people's feelings toward him-
"They love, and hate, and cannot do without him."
And still more strongly, under a figurative expression,-
"Best rear no lion in your state, 'tis true; But treat him like a lion if you do."
The truth is, his liberalities, his public shows, and other munificence to the people, which were such as nothing could exceed, the glory of his ancestors, the force of his eloquence, the grace of his person, his strength of body, joined with his great courage and knowledge in military affairs, prevailed upon the Athenians to endure patiently his excesses, to indulge many things to him, and, according to their habit, to give the softest names to his faults, attributing them to youth and good nature. As, for example, he kept Agatharcus, the painter, a prisoner till he had painted his whole house, but then dismissed him with a reward. He publicly struck Taureas, who exhibited certain shows in opposition to him and contended with him for the prize. He selected for himself one of the captive Melian women, and had a son by her, whom he took care to educate. This the Athenians styled great humanity, and yet he was the principal cause of the slaughter of all the inhabitants of the isle of Melos who were of age to bear arms, having spoken in favour of that decree. When Aristophon, the painter, had drawn Nemea sitting and holding Alcibiades in her arms, the multitudes seemed pleased with the piece, and thronged to see it, but older people disliked and disrelished it, and looked on these things as enormities, and movements towards tyranny. So that it was not said amiss by Archestratus,
"They love, and hate, and cannot do without him."
And still more strongly, under a figurative expression,-
"Best rear no lion in your state, 'tis true; But treat him like a lion if you do."
The truth is, his liberalities, his public shows, and other munificence to the people, which were such as nothing could exceed, the glory of his ancestors, the force of his eloquence, the grace of his person, his strength of body, joined with his great courage and knowledge in military affairs, prevailed upon the Athenians to endure patiently his excesses, to indulge many things to him, and, according to their habit, to give the softest names to his faults, attributing them to youth and good nature. As, for example, he kept Agatharcus, the painter, a prisoner till he had painted his whole house, but then dismissed him with a reward. He publicly struck Taureas, who exhibited certain shows in opposition to him and contended with him for the prize. He selected for himself one of the captive Melian women, and had a son by her, whom he took care to educate. This the Athenians styled great humanity, and yet he was the principal cause of the slaughter of all the inhabitants of the isle of Melos who were of age to bear arms, having spoken in favour of that decree. When Aristophon, the painter, had drawn Nemea sitting and holding Alcibiades in her arms, the multitudes seemed pleased with the piece, and thronged to see it, but older people disliked and disrelished it, and looked on these things as enormities, and movements towards tyranny. So that it was not said amiss by Archestratus,