Alice Adams--Booth Tarkington [10]
She went down the stairs, buttoning her gloves and still wearing the frown with which she had put "Alys" finally out of her life. She descended slowly, and paused on the lowest step, looking about her with an expression that needed but a slight deepening to betoken bitterness. Its connection with her dropping "Alys" forever was slight, however.
The small frame house, about fifteen years old, was already inclining to become a new Colonial relic. The Adamses had built it, moving into it from the "Queen Anne" house they had rented until they took this step in fashion. But fifteen years is a long time to stand still in the midland country, even for a house, and this one was lightly made, though the Adamses had not realized how flimsily until they had lived in it for some time. "Solid, compact, and convenient" were the instructions to the architect, and he had made it compact successfully. Alice, pausing at the foot of the stairway, was at the same time fairly in the "living-room," for the only separation between the "living room" and the hall was a demarcation suggested to willing imaginations by a pair of wooden columns painted white. These columns, pine under the paint, were bruised and chipped at the base; one of them showed a crack that threatened to become a split; the "hard-wood" floor had become uneven; and in a corner the walls apparently failed of solidity, where the wall-paper had declined to accompany some staggerings of the plaster beneath it.
The furniture was in great part an accumulation begun with the wedding gifts; though some of it was older, two large patent rocking-chairs and a footstool having belonged to Mrs. Adams's mother in the days of hard brown plush and veneer. For decoration there were pictures and vases. Mrs. Adams had always been fond of vases, she said, and every year her husband's Christmas present to her was a vase of one sort or another--whatever the clerk showed him, marked at about twelve or fourteen dollars. The pictures were some of them etchings framed in gilt: Rheims, Canterbury, schooners grouped against a wharf; and Alice could remember how, in her childhood, her father sometimes pointed out the watery reflections in this last as very fine. But it was a long time since he had shown interest in such things--"or in anything much," as she thought.
Other pictures were two water-colours in baroque frames; one being the Amalfi monk on a pergola wall, while the second was a yard-wide display of iris blossoms, painted by Alice herself at fourteen, as a birthday gift to her mother. Alice's glance paused upon it now with no great pride, but showed more approval of an enormous photograph of the Colosseum. This she thought of as "the only good thing in the room"; it possessed and bestowed distinction, she felt; and she did not regret having won her struggle to get it hung in its conspicuous place of honour over the mantelpiece. Formerly that place had been held for years by a steel-engraving, an accurate representation of the Suspension Bridge at Niagara Falls. It was almost as large as its successor, the "Colosseum," and it had been presented to Mr. Adams by colleagues in his department at Lamb and Company's. Adams had shown some feeling when Alice began to urge its removal to obscurity in the "upstairs hall"; he even resisted for several days after she had the "Colosseum" charged to him, framed in oak, and sent to the house. She cheered him up, of course, when he gave way; and her heart never misgave her that there might be a doubt which of the two pictures was the more dismaying.
Over the pictures, the vases, the old brown plush rocking-chairs and the stool, over the three gilt chairs, over the new chintz-covered easy chair and the gray velure sofa--over everything everywhere, was the familiar coating of smoke grime. It had worked into every fibre of the lace curtains, dingying them to an unpleasant gray; it lay on the window- sills and it dimmed the glass panes; it covered the walls, covered the