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All Roads Lead to Calvary [43]

By Root 1754 0
turned the leaves. She had a good voice, a low contralto. The room was high and dimly lighted. It looked larger than it really was. Her father sat in his usual chair beside the fire and listened with half-closed eyes. Glancing now and then across at him, she was reminded of Orchardson's picture. She was feeling sentimental, a novel sensation to her. She rather enjoyed it.

She finished with one of Burns's lyrics; and then told Arthur that it was now his turn, and that she would play for him. He shook his head, pleading that he was out of practice.

"I wish it," she said, speaking low. And it pleased her that he made no answer but to ask her what he should sing. He had a light tenor voice. It was wobbly at first, but improved as he went on. They ended with a duet.

The next morning she went into town with them. She never seemed to have any time in London, and wanted to do some shopping. They joined her again for lunch and afterwards, at her father's suggestion, she and Arthur went for a walk. They took the tram out of the city and struck into the country. The leaves still lingered brown and red upon the trees. He carried her cloak and opened gates for her and held back brambles while she passed. She had always been indifferent to these small gallantries; but to-day she welcomed them. She wished to feel her power to attract and command. They avoided all subjects on which they could differ, even in words. They talked of people and places they had known together. They remembered their common love of animals and told of the comedies and tragedies that had befallen their pets. Joan's regret was that she had not now even a dog, thinking it cruel to keep them in London. She hated the women she met, dragging the poor little depressed beasts about at the end of a string: savage with them, if they dared to stop for a moment to exchange a passing wag of the tail with some other little lonely sufferer. It was as bad as keeping a lark in a cage. She had tried a cat: but so often she did not get home till late and that was just the time when the cat wanted to be out; so that they seldom met. He suggested a parrot. His experience of them was that they had no regular hours and would willingly sit up all night, if encouraged, and talk all the time. Joan's objection to running a parrot was that it stamped you as an old maid; and she wasn't that, at least, not yet. She wondered if she could make an owl really happy. Minerva had an owl.

He told her how one spring, walking across a common, after a fire, he had found a mother thrush burnt to death upon her nest, her charred wings spread out in a vain endeavour to protect her brood. He had buried her there among the blackened thorn and furze, and placed a little cross of stones above her.

"I hope nobody saw me," he said with a laugh. "But I couldn't bear to leave her there, unhonoured."

"It's one of the things that make me less certain than I want to be of a future existence," said Joan: "the thought that animals can have no part in it; that all their courage and love and faithfulness dies with them and is wasted."

"Are you sure it is?" he answered. "It would be so unreasonable."

They had tea at an old-fashioned inn beside a stream. It was a favourite resort in summer time, but now they had it to themselves. The wind had played pranks with her hair and he found a mirror and knelt before her, holding it.

She stood erect, looking down at him while seeming to be absorbed in the rearrangement of her hair, feeling a little ashamed of herself. She was "encouraging" him. There was no other word for it. She seemed to have developed a sudden penchant for this sort of thing. It would end in his proposing to her; and then she would have to tell him that she cared for him only in a cousinly sort of way--whatever that might mean--and that she could never marry him. She dared not ask herself why. She must manoeuvre to put it off as long as possible; and meanwhile some opening might occur to enlighten him. She would talk to him about her work; and
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