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All That Is Bitter and Sweet_ A Memoir - Ashley Judd [1]

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Lord Literistic, Inc.: Excerpt from “Unknown Girl in the Maternity Ward” from To Bedlam and Part Way Back by Anne Sexton, copyright © 1960 by Anne Sexton and copyright renewed © 1988 by Linda G. Sexton. Electronic rights and rights outside of the United States and Canada are administered by SLL/Sterling Lord Literistic, Inc. Reprinted by permission of Houghton Mifflin Harcourt Publishing Company and SLL/Sterling Lord Literistic, Inc.

Liveright Publishing Corporation: Four lines from “may my heart always be open to little” from COMPLETE POEMS: 1904–1962 by E. E. Cummings, edited by George J. Firmage, copyright 1938, © 1966, 1991 by the Trustees for the E. E. Cummings Trust. Reprinted by permission of Liveright Publishing Corporation.

Middlemarsh, Inc.: Excerpt from “Always Unsuitable” from Early Grrrl: The Early Poems of Marge Piercy by Marge Piercy, copyright © 1999 by Middlemarsh, Inc. All rights reserved. Reprinted by permission of Middlemarsh, Inc.

Penguin Group UK and Johnson & Alcock Ltd: Four lines from “Colours” from Yevtushenko: Selected Poems by Yevgeny Yevtushenko, translated by Robin Milner-Gulland and Peter Levi (Penguin Books, 1962), copyright © 1962 by Robin Milner-Gulland and Peter Levi. Audio rights are controlled by Johnson & Alcock Ltd. Reprinted by permission of Penguin Group UK and Johnson & Alcock Ltd.

Library of Congress Cataloging-in-Publication Data

Judd, Ashley.

All that is bitter & sweet : a memoir / by Ashley Judd with Maryanne Vollers.

p. cm.

eISBN: 978-0-345-52482-9

1. Judd, Ashley. 2. Motion picture actors and actresses—United States—Biography.

I. Vollers, Maryanne. II. Title.

PN2287.J83A3 2011

791.4302′8092—dc22

[B] 2011002939

www.ballantinebooks.com

Jacket design: Marietta Anastassatos

Jacket photo: © Kelly Campbell

v3.1

For my beloved grandparents


“You are the bows from which your children as living arrows are sent forth.

The archer sees the mark upon the path of the infinite and He bends with you His might that

His arrows may go swift and far.

Let your bending in the archer’s hand be for gladness;

For even as He loves the arrow that flies,

So he loves also the bow that is stable.”

—KAHLIL GIBRAN, The Prophet

Love is a great thing, yea, a great and thorough good; by itself it makes everything that is heavy, light; and it bears evenly all that is uneven. For love carries a burden that is no burden, and makes everything that is bitter sweet and tasteful.

—THOMAS À KEMPIS, The Imitation of Christ

CONTENTS

Cover

Title Page

Copyright

Dedication

Epigraph

FOREWORD by Nicholas D. Kristof

PROLOGUE

Chapter 1 FAMILY OF CHANCE, FAMILY OF CHOICE

Chapter 2 THE SAFEST PLACE IN THE WORLD

Chapter 3 BUTTERMILK AND MORNING GLORIES

Chapter 4 THROUGH THE TRAPDOOR

Chapter 5 MAKING OF A RABBLE-ROUSER

Chapter 6 OUK SREY LEAK

Chapter 7 AVENGING ANGEL OF THE SISTERHOOD

Chapter 8 DARK NIGHT OF THE SOUL

Chapter 9 EURYDICE IN AFRICA

Chapter 10 THE RICE TENTS

Chapter 11 PRAYING WITH MY PRESENCE

Chapter 12 BUMPING INTO MYSELF

Chapter 13 DELIVERANCE

Chapter 14 SHADES OF HOPE

Chapter 15 THE LOST CHILD FOUND

Chapter 16 PROJECT LIFE

Chapter 17 OFF THE MAT, INTO THE WORLD

Chapter 18 ADVENTURES IN BOLLYWOOD

Chapter 19 A HOLY MESS

Chapter 20 THE WHITE FLOWER OF RWANDA

Chapter 21 THE REPUBLIC OF RAPE

Chapter 22 THE CLICK

Chapter 23 CRIMSON DREAMS

EPILOGUE

ACKNOWLEDGMENTS

NOTES

About the Author

FOREWORD

NICHOLAS D. KRISTOF

The essence of being a famous Hollywood actor is that you have cameras constantly pursuing you. It’s a law as fundamental as gravity: A lens seeks a star. To those in the crosshairs, the paparazzi are as annoying as they are inescapable—like a swarm of mosquitoes by a lake. Some stars simply go into hiding. Instead, Ashley Judd invites the cameras to join her as she tackles AIDS in Madagascar or sex trafficking in India. She uses her fame to focus attention on issues of vital importance to all of us, while giving voice to the voiceless around the world.

After college, she almost

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