All That Is Bitter and Sweet_ A Memoir - Ashley Judd [108]
This period of reaclamation was deep. But it was not perfect. It was embedded in the broader family context of ongoing, untreated addiction and dysfunction. I rarely saw my mother and sister, who had progressed in their increasingly unhealthy relationship, which was exacerbated by their professional success and their cojoined lifestyle on the road. My grandparents still were unfriendly with each other. But they all declared a truce and attended my party at Nana’s house to celebrate my high school graduation. The only one missing was Dad.
My father and I remained estranged for years. In college, I would occasionally run into him at my favorite Mexican restaurant, High on Rose, and because he was my dad, I would reflexively go to him, expecting to speak to him. He would be terribly chilly to me, and I couldn’t understand why. When a sorority sister with whom I did most of my running around commented that she did not like the way my dad treated me, I realized that hey, maybe it wasn’t so good. I had accepted unacceptable behavior for so long, from so many, I didn’t know that I had the right not to tolerate it. He shared that we ran into each other once on an airplane and another time at the Breeders’ Cup, and that both times we passed each other without a word. Sister made an effort in fits and starts to keep up with Dad—occasionally inviting him to concerts (which caused massive drama between Mom and her) and taking him along to meet the Rolling Stones, a band he’d always loved. When he was around, I had no idea what to say, think, feel, or do.
After making an indelible debut when I was in high school, the Judds rocketed to superstardom during my college years in a story that is by now a familiar staple of country music lore. Suffice it to say that I was content to stay out of their spotlight, celebrating and enjoying their successes mostly from a distance. Sometimes I would join them on the road for a date or two, and everyone made me feel welcomed. In spite of the considerable hardship offstage and what their music cost me emotionally, I was always tremendously proud of the Judds. The band welcomed me warmly, and I enjoyed hanging out at the crew meal after watching soundcheck, which I made a point of attending. I loved listening to my sister, relaxed and carefree in this setting, experiment vocally and musically, reprising the Joni Mitchell and Bonnie Raitt sounds I had grown up listening to her sing in her bedroom. In these informal performances, I glimpsed the vocal virtuosity and commanding stage presence that would eventually characterize her solo career, and lead reviewers to declare her “Elvis-like” and the “greatest voice since Patsy Cline.”
Come evening I loved attending shows, slipping out into a sold-out arena just as the lights went down, feeling the crowd’s excitement, and watching,