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All That Is Bitter and Sweet_ A Memoir - Ashley Judd [118]

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without the family present. This moment was unorthodox. Afterward, the treatment team told me my anger preceded me into a room, that on a scale of one to ten, I was a fifteen. It was something I had heard before, but most people either couldn’t tell me in a way that did not constitute abuse or simply wouldn’t tell me I seemed angry. Either they raged at me about my rage, which prevented me from being able to consider that what they observed might have some basis in truth, or they said things like “You are so intimidating, you seem invincible.” Imperious was another word I heard from time to time. Both approaches, of course, made me angrier, the former entrenching me in how justified I felt in being angry and the latter baffling me when I felt exceedingly vulnerable inside and yearned for that part of me to be acknowledged. Since first thing Monday morning, the staff had been saying, “If you hear something about yourself three times, you may want to take a look at it. There just might be some truth in it.” Well, I heard all the time from certain people that I was angry, and in this setting, it was becoming harder to duck the feedback.

It was extremely unconventional, to say the least, but the treatment team began as a group to lead me in anger work, a process that moves old, stuck energy out of the body. In a room full of strangers and my family, in front of whom I had not felt safe to express my real feelings for decades, with the staff’s encouragement, a primal roar came out of me. It was shocking for me, and the anger work took on a life of its own. Later, I was told that I seemed to be “doing” my whole family’s anger, which was considered an unacceptable emotion in many ways. That I took on not only my own but other people’s, people who were so enmeshed with others that they could not risk ever expressing anger toward them (because they might alienate the person on whom they were reliant). It was a brand-new idea, and it made perfect sense.

Eventually, my head of steam—which dated back to … oh, what? Age seven? Eight?—began to dissipate. When I sat next to clients, they quietly celebrated me, congratulated me, held my hand, gave me those empathetic knowing glances again. (By contrast, of course, my family was stupefied and horrified.) At the beginning of sculpt, as everyone was settling in, offering their feelings check, and being given an explanation of what lay ahead, I had been nearly passing out for some inexplicable reason, nearly levitating out of my chair with feelings I did not understand. After the anger work, I could feel something was happening, and it seemed good, as though I had burst out of a too-tight husk, as though I could breathe.

There were more lessons to be learned that week, effective ways to improve communication and approach one another directly about hurt feelings or disagreements without causing harm. But after that sculpt, everything seemed anticlimactic. I found myself increasingly identifying with the other clients at Shades during our group interactions, and I picked out a couple I particularly liked to sit next to at meetings. Meanwhile, physical symptoms resumed and became more alarming, waves of dizziness and sensations that made me feel as if an electric wire were being touched to my body. Episodes of near hyperventilation and almost passing out increased, apparently in reaction to the painful childhood memories being dredged up and daylighted in group sessions and exacerbated by seeing my parents in the same room, at the same time, and by the idea of my sister finally having her long deserved moment of being heard and validated. All this triggered the first layers of years and years of my own pent-up feelings. They were roiling right under the surface of my skin, quivering in my lungs, coming out any way they could. It was becoming clear to me that all the stuff I had been trying to manage with the same ole same ole coping behaviors could no longer be contained. I was like a papier-mâché sculpture, trying desperately to patch my peeling layers, while something about being in this

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