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All That Is Bitter and Sweet_ A Memoir - Ashley Judd [87]

By Root 1181 0
giving itself new form.

—HEGEL, Phenomenology of Mind

n the months after my return from Africa, I should have felt on top of the world. The outer form of my life seemed perfect; I had basically done everything I had hoped to do. My film career was still thriving, and I gave performances of which I was proud in a couple of creative, inspired independent projects. The trip to Africa was a huge success, including Tracking the Monster, the VH1 documentary shot in Madagascar about PSI’s Global Fund–sponsored programs, which was broadcast in eighty-one million homes worldwide, received great reviews, and won an array of awards. In June, I was invited to testify about the AIDS crisis before the Senate Foreign Relations Committee in Washington, D.C. I told the committee members that the fight against the HIV/AIDS pandemic was indistinguishable from the fight for gender equality, that there was nothing more important in the struggle against this virus than to urge all societies to reject violence against women and any social norms and cultural practices that cause girls and women to exchange sex for economic survival. I also spoke about PSI’s mission to a roomful of reporters at the National Press Club in Washington, where I looked in awe at the twentieth-century headlines hanging from the venerable club’s walls.

I was finally using my voice to speak out on the political level for the voiceless millions whose lives are affected by the policies being shaped in distant world capitals. Through my work with PSI and other organizations, I was earning a seat at the table, not for me, but for Ouk Srey Leak, Shola, Sahouly, and the women of Soweto whose stories had moved and inspired me to change my life.

My confidence and the smooth exterior of calm and professionalism I presented to the world, however, only disguised the growing chaos I felt inside me. On trips to see grassroots programs, I was focused and single-minded, the harrowing feelings externalized by being in settings rife with egregious examples of trauma and grief. But at home, there was nowhere outside of myself to direct and metabolize my own pain. A familiar, gnawing emptiness haunted my days and nights. I could feel the trapdoor underneath me opening again. I was having trouble modulating my behavior; I’d swing back and forth between being paralyzed and overdoing whatever I undertook. I might be able to confidently lobby archconservative Senate majority leader Mitch McConnell in his chambers, but I couldn’t seem to manage the simple task of finding a comfortable chair for my writing desk. That summer I decided to reorganize our library to accommodate Dario’s ever-increasing haul of trophies, and once I started, I couldn’t stop. I began sorting through all the unsolicited gifts that were piling up around me, writing thank-you notes and deciding what to give away, then alphabetizing all the books within genres, steaming with resentment that I “had” to waste my time processing stuff people randomly sent me that I hadn’t wanted in the first place. I could become irritable and unreasonable without knowing it and was unable to place things in their proper perspective.

I was also concerned about some frustrations I’d had during the making of Come Early Morning and a few months later on the set of Bug. It wasn’t anything awful, just work relationships that became muddled because I couldn’t seem to make my assistants understand what I was saying. I wondered if I was expressing myself poorly or if they simply weren’t hearing me. I concluded I was the common denominator and that I needed to take a look at my own behavior to tackle these ongoing communication problems.

I had embarked on a program of radical self-investigation through yoga, where teachers like Seane Corn showed me how a practice could heal on the emotional—not just the physical—level. Now I decided to augment it with a series of intensive therapy sessions with a remarkable and gentle counselor and life coach named Ted Klontz, a PhD with wide-ranging experience who was referred by an admired friend. She had

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