All the King's Men - Robert Penn Warren [13]
The Boss whipped his head around to look at Mr. Duffy so fast all of a sudden there wasn’t anything but a blur. It was as though his big brown pop eyes were looking out the back of his head through the hair, everything blurred up together. That is slightly hyperbolic, but you get what I mean. The Boss was like that. He gave you the impression of being a slow and deliberate man to look at him, and he had a way of sitting loose as though he had sunk inside himself and was going down for the third time and his eyes would blink like an owl’s in a cage. Then all of a sudden he would make a move. It might just be to reach out and grab a fly out of the air that was bothering him, that trick I saw an old broken-down pug do once who hung around a saloon. He would make bets he could catch a fly out of the air with his fingers, and he could. The Boss could do that. Or he would whip his head at you when you said something he hadn’t seemed to be listening to. He whipped his head round now to Duffy and fixed his gaze on him for an instant before he said quite simply and expressively, “Jesus.” Then he said, “Tiny, you don’t know a God-damned thing. In the first place, I’ve known Malaciah Wynn all my life, and his boy is a good boy and I don’t care who he cut. In the second place, it was a fair fight and he had bad luck and when it’s like that by the time the trial comes up folks are always feeling for the feller who’s being tried for murder when he just had bad luck because the fellow died. In the third place, if you had picked the wax out of your ears you’d heard me tell Jack to prime the lawyer through a pal and to get one didn’t want his name in lights. As far as that lawyer knows or anybody else knows, he’s been sent by the Pope. And all he wants to know anyway is whether the foliage he gets out of it has those little silk threads in it. Is all that clear or do you want me to draw a picture?”
“I get you,” Mr. Duffy said, and wet his lips.
But the Boss wasn’t listening now. He had turned back to the highway and the speedometer and had said to Sugar-Boy, “God’s sake, you think we want to admire the landscape? We’re late now.”
Then you felt Sugar-Boy take up that last extra stitch.
But not for long. In about half a mile, we hit the turn-off. Sugar-Boy turned off on the gravel and we sprayed along with the rocks crunching and popping up against the underside of the fender like grease in a skillet. We left a tail of dust for the other car to ride into.
Then we saw the house.
It was set on a little rise, a biggish box of a house, two-story, rectangular, gray, and unpainted, with a tin roof, unpainted too and giving off blazes under the sun for it was new and the rust hadn’t bitten down into it yet, and a big chimney at each end. We pulled up to the gate. The house was set up close to the road, with a good hog-wire fence around the not very big yard, and with some crepe myrtles in bloom the color of raspberry ice cream and looking cool in the heat in the corner of the yard and one live oak, nothing to brag on and dying on one side, in front of the house, and a couple of magnolias off to one side with rusty-looking tinny leaves. There wasn’t much grass in the yard, and a half dozen hens wallowed and fluffed and cuck-cucked in the dust under the magnolia trees. A big white hairy dog like a collie or a shepherd