All the King's Men - Robert Penn Warren [17]
“We?” the Boss said. We! What the hell you mean we. You come kiss him. One whiff would curdle milk and strip pine tree. We, hell!”
The Boss took a deep breath, and we heaved again. It didn’t work. Buck didn’t have any starch in him. We tried six or seven times, but it was no sale. Finally the Boss had to sit down on the steps, and we dragged Buck up and laid the faithful head on the Boss’s knee. The Boss put his hand on Buck’s head and looked at the photographer’s birdie. The photographer shot it, and said, “It is the nuts,” and the Boss said, “Yeah, the nuts.”
The Boss sat there a few seconds with his hand on Buck’s head. “A dog,” the Boss said, “is man’s best friend. Old Buck, he’s the best friend I ever had.” He scratched the brute’s head. “Yeah, good old Buck,” the Boss said, “the best friend I ever had. But God damn it,” he said, and stood up so quick that Buck’s head slid off his knee, “he don’t smell a bit better’n the rest of ’em.”
“Is that for the record, Boss?” one of the reporters asked.
“Sure,” the Boss said. “He smells just like the rest of ’em.”
Then we cleared Buck’s carcass off the steps, and the photographer settled into the grind. He took the Boss and the family in every possible combination. Then he got his rig together, and said: “Governor, you know we want a picture of you upstairs. In the room you used to have when you were a kid. It will be nuts.”
“Yeah,” the Boss said, “the nuts.”
That was my idea. It would be nuts all right. The Boss sitting there with an old schoolbook in his hands. A good example for the tots. So we went upstairs.
It was a little room, with bare board floor and tongue-and groove beaded walls, which had been painted yellow one time, but had the paint crazing off the wood now in sections where any paint was left. There was a big wooden bed with a high head and foot standing somewhat off the perpendicular, and a white counterpane on the bed. There was a table–a pine table–and a couple of straight chairs, and a stove–the kind of tin stove they call a trash-burner, pretty rusty now–and against the wall beyond the stove a couple of home-made bookcases, crammed with books. Third readers and geographies and algebras and such in one of them, and a lot of crummy old law books in the other.
The Boss stood in the middle of the floor and took a good look, all around, while the rests of us hung around the door bunched up like sheep and waited. “Jesus,” the Boss said, “put the old white thunder-mug under the bed and it’ll look just like home.”
I looked over at the bed, and the crockery wasn’t there. It was the only prop missing. That and a kid with a pudgy face and freckles on his face and sandy hair falling down on his forehead, bending down at the table by a coal-oil lamp–it must have been a coal-oil lamp then–and a pencil in his hand, tooth marks on the pencil where he’d been gnawing at it, and the fire in the trash-burner getting low, and the wind pounding on the north side of the house, pounding down off the Dakotas a thousand miles away and across the plains which were icy and pearl-blind with the snow polished hard under the wind and glimmering in the dark, and across the river bottoms, and across the hills where the pine trees had stood once and moaned in the wind but where wasn’t anything to break the wind now. The sash in the window on the north wall of the room would rattle under the wind, and the flame in the coal-oil lamp would bend and shiver in what current of air sneaked in, but the kid wouldn’t look up. He would gnaw his pencil, and hunch down. Then after a while he would blow out the lamp and pull off his clothes and get into bed, wearing his underwear. The sheets would be cold to the skin and stiff-feeling. He would lie there and shiver in the dark. The wind would come down a thousand miles and pound on the house and the sash would rattle and inside him something would be big and coiling slow and clotting till he would hold his breath and