All the Pretty Girls - J. T. Ellison [12]
Baldwin paced around the room. “See, there’s no sign of forced entry. That’s consistent with the other three girls. I think he picks them up somewhere, a bar, a library, who knows. They invite him back to their place. Maybe things get out of hand, maybe the sex starts out consensual, but just as quickly, they’re dead. There’s no real signs of a struggle. We haven’t found any drugs in their system. I think he must tie them up.” He circled to the head of the bed. “Hey, get your crime scene guys back in here.”
Fitz disappeared and came back with one of the crime scene techs. Baldwin motioned the man over and pointed to the headboard on the wrought-iron bed. “You missed something,” he accused.
The tech turned red, realizing he had missed something. A pale fiber was attached to the frame of the headboard. He quickly collected it, apologizing. As he left, Baldwin clapped him on the back.
“Probably from a rope. We found it at the other scenes, as well. That’s why there isn’t much sign of a struggle. That he would tie them up fits. See, this kind of killer is excited by the helplessness. Anger, excitement, pleasure, they all come from the same place for this guy. He has a thing for their hands, which I haven’t figured out yet. The fetishistic elements are all there, I don’t think he’s doing it to hide their identities. He’s highly organized, plans in advance. The fact that he parts with any of his trophies is interesting. It’s a clue, a trail of bread crumbs that he’s leaving for us. He wants to sensationalize the killings. Taking the bodies over state lines, the mutilations, all were calculated efforts to make these crimes heinous and splashy. A surefire recipe to get the FBI involved. He wants us to know him. To be sure that it’s him. He won’t deviate from this pattern, it’s become his signature. Now we just have to figure out who he is. VICAP doesn’t have a match to this MO in their system. Other than the forensics, we don’t have any other information to go on. Witness statements are thin to nonexistent. He’s a real ghost, which is part of his plan.” The Violent Criminal Apprehension Program would guide them to corresponding murders if the system had a match. Baldwin had been watching for a hit, a fruitless endeavor thus far.
He stopped pacing, a gleam in his eyes. “It’s a challenge. He enjoys the fact that he has us stumped. We can’t predict where he’s headed next, it assures that we’re on our toes. Mark my words. He’s begging for us to try and find him.”
Five
Whitney Connolly sat at her computer in her home office, tapping out e-mails to people around the country. It was her usual morning ritual. Regardless of the day, she got up from her lonely bed, ran to Starbucks for a latte, greeting people she knew and those she didn’t with a humbled smile, returned home and turned on the computer. She had a vast network that she communicated with, and the mails were sorted by priority. Friends came first, because that category had the fewest mails to go through. And since they were generally the kindest of the lot, she entered the next grouping with a sense of peace. The fans. They came in all colors, shapes and sizes. Female and male, young and old. Pleasant and not so pleasant. The messages were hard to escape; the network broadcasted all reporters’ e-mail addresses on the screen as they gave their reports and posted them next to their pictures on the station’s Web site so they’d be accessible to the viewing public.
Whitney felt it was important to answer, thanking those who had enjoyed her work the night before, being courteous to those who hadn’t. Being the top reporter in the Nashville market had its upside, that was for sure. Inevitably she pissed some viewers off, and she felt a sense of responsibility to acknowledge their displeasure and attempt to set things straight. Community relations, and all that.
Today