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All the Pretty Girls - J. T. Ellison [56]

By Root 1131 0

The accident scene was as gruesome as the copious sirens had foretold. Sheets covered victims, blood leaked onto the warming pavement, glass and bits of automotive wonders were scattered carelessly about. A child’s doll lay forsaken in the middle of the street under a plate of shattered tempered glass.

Taylor marveled at Sam’s ability to shake off her normal life for her work. She was barking orders, looking under sheets, moving through the mayhem like a swan through a shimmering lake. As a medical examiner, it was her job to deal with carnage and mayhem, but she was so smooth and seamless that everything seemed under control the minute she got to a scene. Taylor just sat on the hood of a patrol car and tried to stay out of the way. This wasn’t her case, and there were enough people milling about that she didn’t need to get in the way.

Sam came over to her, her face a bit ashen.

“You okay?” Taylor asked with concern.

Sam shook her head and shrugged. “I am, but this is one nasty wreck. Woman in the X5 ran over the Audi over there like a tank. Killed the occupants instantly. Driver’s license says the mom’s name is Tina Young. They’re IDing the kids by the names on their backpacks—Meredith and Jason. Elementary-school age. It’s pretty nasty, took the mom’s head right off. At least I can tell the rest of the family it was quick, I doubt she had a second to know what hit her.”

“Who’s the chick from the X5? And what is it about Beemers in this town? Am I really the only person who doesn’t have one?”

“You finished? Good. The X5’s driver was Whitney Connolly. No seat belt, sailed right over the air bag and through the windshield.”

Taylor felt the shock go through her like a bolt of lightning. “Whitney Connolly, the reporter from Channel Five?”

“Yeah.”

“Oh, Sam. This place is going to be crawling with news trucks. What can I do?”

“Just try to distract them while I get her taken care of, okay? If anyone from Channel Five rolls up, they’re bound to recognize her SUV.”

“Do you want no comment, or do you want me to confirm that it was her?”

Sam looked at the scene for a moment. “You might as well realize her identity, but only to the Channel Five folks. They need to know right away anyway. Just use your discretion.” She walked back to the scene, moving quickly to get yellow tarps over the bodies.

Taylor walked back across the street. Uniformed officers had already closed the road. No one was going to get through but the news trucks. And they were bearing down already. Taylor was relieved to see that the first one was Channel Five, then remembered that they had the Rainman story. Oh well, they’d better stay clear of that with her. At the very least they could have a quick confab and get things straightened out. She waved them down and directed them to the side of the road.

She recognized the reporter and her cameraman. Thankfully, it wasn’t tiny Edith, but this particular reporter had covered many of her scenes in the past and had been just as obnoxious. She knew she’d have to hit quickly to keep them from rushing off and ignoring her. She motioned for the driver to open his window and slipped her head into the van.

“Tommy, Stacy, good to see you.”

“When’s the last time you’ve been happy to see us on a scene, Lieutenant? And why are you here? I thought this was just a car accident.” Stacy Harper was a bottle blonde with square tortoiseshell glasses and a distinctly Yankee accent. She had been poached from Channel Two the year before. She knew Nashville, but Taylor felt she was a bit too whiney. Rumor had it she was dating one of the Tennessee Titans football players, which wouldn’t surprise many. She had that perfect overbite that drove men wild.

“It is a car accident, but I need to tell you something.”

Stacy and her cameraman were getting impatient, ready to pull out the camera and start shooting some b-roll for Stacy’s package. The more raw footage they could compile, the better.

“What, Lieutenant? We need to start getting some shots of this scene so it can make the midday report. Hey, you want to comment on the Rainman?

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