America Through the Spectacles of an Oriental Diplomat [77]
not re-introduce the Roman chariot race under the old conditions, and with a reproduction of the old surroundings. It would be as interesting and as exciting as, and certainly less dangerous than, polo played in automobiles, which I understand is one of the latest fads in the West. A modern horse-race, with its skill, daring and picturesqueness, is the only modern entertainment comparable to the gorgeous races of the Romans.
The exhibition of skillful feats of horsemanship and acrobatic displays by juvenile actors, rope-dancing, high vaulting and other daring gymnastic feats seen in any of our present-day circuses are interesting, but not new. The Romans had many clever tight-rope walkers, and I do not think they used the long pole loaded at the ends to enable them to maintain their equilibrium, as do some later performers. Japanese tumblers are very popular and some of their tricks clever, but I think the Western public would find Chinese acrobats a pleasant diversion. With practice, it would seem as if when taken in hand during its supple years there is nothing that cannot be done with the human body. Sometimes it almost appears as if it were boneless, so well are people able by practice to make use of their limbs to accomplish feats which astonish ordinary persons whose limbs are less pliable.
The trapeze gives opportunity for the display of very clever exhibition, of strength and agility; at first sight the gymnast would appear to be flying from one cross-bar to the other, and when watching such flights I have asked myself: "If a person can do that, why cannot he fly?" Perhaps human beings will some day be seen flying about in the air like birds. It only requires an extension of the trapeze "stunt". Travelling in the air by means of airships or aeroplanes is tame sport in comparison with bird-like flights, whether with or without artificial wings.
There are many advantages in being able to travel in the air. One is a clear and pure atmosphere such as cannot be obtained in a railway car, or in a cabin on board a ship; another is the opportunity afforded of looking down on this earth, seeing it as in a panorama, with the people looking like ants. Such an experience must broaden the mental outlook of the privileged spectator, and enable him to guess how fragmentary and perverted must be our restricted view of things in general. There is, however, danger of using such opportunities for selfish and mischievous purposes. A wicked man might throw a bomb or do some other wicked nonsense just as some one else, who really sees things as they are and not as they seem to be, might employ his superior knowledge to benefit himself and injure his fellows; but the mention of the trapeze and its bird-like performers has diverted me from my theme.
I suppose that a reference to the circus would be incomplete which overlooked the clowns, those poor survivals of a professional class of jesters who played what appears to have been a necessary part in society in ruder days, when amusements were less refined and less numerous. The Chinese have never felt the need of professional foolers, and I cannot say that I admire the circus clown, but the intelligence which careful training develops in the horse, the dog, etc., interests me a good deal. An instance of this came under my own observation during a recent visit to Shanghai of "Fillis' Circus". Mr. Fillis had a mare which for many years had acted the part of the horse of a highway robber. The robber, flying from his enemies, urges the animal beyond its strength, and the scene culminated with the dying horse being carried from the arena to the great grief of its master. When this entertainment was given in Shanghai this horse -- "Black Bess" -- fell sick. A tonic was administered in the shape of the lively tune which the band always played as she was about to enter the arena and play her part as the highwayman's mare. The animal made pitiable attempts to rise, and her inability to do so apparently suggested to the intelligent creature the dying scene she had so often
The exhibition of skillful feats of horsemanship and acrobatic displays by juvenile actors, rope-dancing, high vaulting and other daring gymnastic feats seen in any of our present-day circuses are interesting, but not new. The Romans had many clever tight-rope walkers, and I do not think they used the long pole loaded at the ends to enable them to maintain their equilibrium, as do some later performers. Japanese tumblers are very popular and some of their tricks clever, but I think the Western public would find Chinese acrobats a pleasant diversion. With practice, it would seem as if when taken in hand during its supple years there is nothing that cannot be done with the human body. Sometimes it almost appears as if it were boneless, so well are people able by practice to make use of their limbs to accomplish feats which astonish ordinary persons whose limbs are less pliable.
The trapeze gives opportunity for the display of very clever exhibition, of strength and agility; at first sight the gymnast would appear to be flying from one cross-bar to the other, and when watching such flights I have asked myself: "If a person can do that, why cannot he fly?" Perhaps human beings will some day be seen flying about in the air like birds. It only requires an extension of the trapeze "stunt". Travelling in the air by means of airships or aeroplanes is tame sport in comparison with bird-like flights, whether with or without artificial wings.
There are many advantages in being able to travel in the air. One is a clear and pure atmosphere such as cannot be obtained in a railway car, or in a cabin on board a ship; another is the opportunity afforded of looking down on this earth, seeing it as in a panorama, with the people looking like ants. Such an experience must broaden the mental outlook of the privileged spectator, and enable him to guess how fragmentary and perverted must be our restricted view of things in general. There is, however, danger of using such opportunities for selfish and mischievous purposes. A wicked man might throw a bomb or do some other wicked nonsense just as some one else, who really sees things as they are and not as they seem to be, might employ his superior knowledge to benefit himself and injure his fellows; but the mention of the trapeze and its bird-like performers has diverted me from my theme.
I suppose that a reference to the circus would be incomplete which overlooked the clowns, those poor survivals of a professional class of jesters who played what appears to have been a necessary part in society in ruder days, when amusements were less refined and less numerous. The Chinese have never felt the need of professional foolers, and I cannot say that I admire the circus clown, but the intelligence which careful training develops in the horse, the dog, etc., interests me a good deal. An instance of this came under my own observation during a recent visit to Shanghai of "Fillis' Circus". Mr. Fillis had a mare which for many years had acted the part of the horse of a highway robber. The robber, flying from his enemies, urges the animal beyond its strength, and the scene culminated with the dying horse being carried from the arena to the great grief of its master. When this entertainment was given in Shanghai this horse -- "Black Bess" -- fell sick. A tonic was administered in the shape of the lively tune which the band always played as she was about to enter the arena and play her part as the highwayman's mare. The animal made pitiable attempts to rise, and her inability to do so apparently suggested to the intelligent creature the dying scene she had so often