An American Tragedy - Theodore Dreiser [147]
And frizzled-haired Dutch Lena now leaned over to say: “I take it and him too, you bet, if you don’t want him. Where is he? I got no feller now.” She reached over as if to take the bag from Mary, who as quickly withdrew it. And there were squeals of delight from nearly all the girls in the room, who were amused by this eccentric horseplay. Even Roberta laughed loudly, a fact which Clyde noted with pleasure, for he liked all this rough humor, considering it mere innocent play.
“Well, maybe you’re right, Lena,” he heard her add just as the whistle blew and the hundreds of sewing machines in the next room began to hum. “A good man isn’t to be found every day.” Her blue eyes were twinkling and her lips, which were most temptingly modeled, were parted in a broad smile. There was much banter and more bluff in what she said than anything else, as Clyde could see, but he felt that she was not nearly as narrow as he had feared. She was human and gay and tolerant and good-natured. There was decidedly a very liberal measure of play in her. And in spite of the fact that her clothes were poor, the same little round brown hat and blue cloth dress that she had worn on first coming to work here, she was prettier than anyone else. And she never needed to paint her lips and cheeks like the foreign girls, whose faces at times looked like pink-frosted cakes. And how pretty were her arms and neck—plump and gracefully designed! And there was a certain grace and abandon about her as she threw herself into her work as though she really enjoyed it. As she worked fast during the hottest portions of the day, there would gather on her upper lip and chin and forehead little beads of perspiration which she was always pausing in her work to touch with her handkerchief, while to him, like jewels, they seemed only to enhance her charm.
Wonderful days, these, now for Clyde. For once more and here, where he could be near her the long day through, he had a girl whom he could study and admire and by degrees proceed to crave with all of the desire of which he seemed to be capable—and with which he had craved Hortense Briggs—only with more satisfaction, since as he saw it she was simpler, more kindly and respectable. And though for quite a while at first Roberta appeared or pretended to be quite indifferent to or unconscious of him, still from the very first this was not true. She was only troubled as to the appropriate attitude for her. The beauty of his face and hands— the blackness and softness of his hair, the darkness and melancholy and lure of his eyes. He was attractive—oh, very. Beautiful, really, to her.
And then one day shortly thereafter, Gilbert Griffiths walking through here and stopping to talk to Clyde, she was led to imagine by this that Clyde was really much more of a figure socially and financially than she had previously thought. For just as Gilbert was approaching, Lena Schlict, who was working beside her, leaned over to say: “Here comes Mr. Gilbert Griffiths. His father owns this whole factory and when he dies, he’ll get it, they say. And he’s his cousin,” she added, nodding toward Clyde. “They look a lot alike, don’t they?”
“Yes, they do,” replied Roberta, slyly studying not only Clyde but Gilbert, “only I think Mr. Clyde Griffiths is a little nicer looking, don’t you?”
Hoda Petkanas, sitting on the other side of Roberta and overhearing this last remark, laughed. “That’s what every one here thinks. He’s not stuck up like that Mr. Gilbert Griffiths, either.”
“Is he rich, too?” inquired Roberta, thinking of Clyde.
“I don’t know. They say not,” she pursed her lips dubiously, herself rather interested in Clyde along with the others. “He worked down in the shrinking room before he came up here. He was just working by the day, I guess. But he only came on here a little while ago to learn the business. Maybe he won’t work in here much longer.”
Roberta was suddenly troubled by this last remark. She had not been thinking, or so she had been trying to tell herself, of Clyde in any romantic