An American Tragedy - Theodore Dreiser [35]
Finally, without any comment from any one, Hegglund, accompanied by Higby and Shiel, marched up the steps of this house and rang the bell. Almost instantly the door was opened by a black girl in a red dress. “Good evening. Walk right in, won’t you?” was the affable greeting, and the six, having pushed past her and through the curtains of heavy velvet, which separated this small area from the main chambers, Clyde found himself in a bright and rather gaudy general parlor or reception room, the walls of which were ornamented with gilt-framed pictures of nude or semi-nude girls and some very high pier mirrors. And the floor was covered by a bright red thick carpet, over which were strewn many gilt chairs. At the back, before some very bright red hangings, was a gilded upright piano. But of guests or inmates there seemed to be none, other than the black girl.
“Jest be seated, won’t you? Make yourselves at home. I’ll call the madam.” And, running upstairs to the left, she began calling: “Oh, Marie! Sadie! Caroline! They is some young gentlemen in the parlor.”
And at that moment, from a door in the rear, there emerged a tall, slim and rather pale-faced woman of about thirty-eight or forty— very erect, very executive, very intelligent and graceful-looking— diaphanously and yet modestly garbed, who said, with a rather wan and yet encouraging smile: “Oh, hello, Oscar, it’s you, is it? And you too, Paul. Hello! Hello, Davis! Just make yourselves at home anywhere, all of you. Fannie will be in in a minute. She’ll bring you something to drink. I’ve just hired a new pianist from St. Joe—a Negro. Wait’ll you hear him. He’s awfully clever.”
She returned to the rear and called, “Oh, Sam!”
As she did so, nine girls of varying ages and looks, but none apparently over twenty-four or five—came trooping down the stairs at one side in the rear, and garbed as Clyde had never seen any women dressed anywhere. And they were all laughing and talking as they came—evidently very well pleased with themselves and in nowise ashamed of their appearance, which in some instances was quite extraordinary, as Clyde saw it, their costumes ranging from the gayest and flimsiest of boudoir negligees to the somewhat more sober, if no less revealing, dancing and ballroom gowns. And they were of such varied types and sizes and complexions—slim and stout and medium—tall or short—and dark or light or betwixt. And, whatever their ages, all seemed young. And they smiled so warmly and enthusiastically.
“Oh, hello, sweetheart! How are you? Don’t you want to dance with me?” or “Wouldn’t you like something to drink?”
Chapter 10
Prepared as Clyde was to dislike all this, so steeped had he been in the moods and maxims antipathetic to anything of its kind, still so innately sensual and romantic was his own disposition and so starved where sex was concerned, that instead of being sickened, he was quite fascinated. The very fleshly sumptuousness of most of these figures, dull and unromantic as might be the brains that directed them, interested him for the time being. After all, here was beauty of a gross, fleshly character, revealed and purchasable. And there were no difficulties of mood or inhibitions to overcome in connection with any of these girls. One of them, a quite pretty brunette in a black and red costume with a band of red ribbon across her forehead, seemed to be decidedly at home with Higby, for already she was dancing with him in the back room to a jazz melody most irrationally hammered out upon the piano.
And Ratterer, to Clyde’s surprise, was already seated upon one of the gilt chairs and upon his knees was lounging a tall young girl with very light hair and blue eyes. And she was smoking a cigarette and tapping