An Arsonist's Guide to Writers' Homes in New England_ A Novel - Brock Clarke [54]
"Hello, Sam," one of them said ― it might have been Morgan. I say that because he'd always been sort of their leader, and on the porch the other four had fallen into a ragged flying V behind him, which I thought was kind of them, to distinguish Morgan as the important one in that way. Other things should organize themselves in the same way. Life, for instance. "Long time no see."
"I don't want to hear it," I said. With Thomas and his surprise visit, it had taken me a few minutes to locate my anger, but with the bond analysts and their surprise visit, I'd fallen right into it. I figured that if I kept getting surprise visits, I'd start getting angry beforehand, that the anger would in fact announce the arrival of the surprise visitor and not follow it. "You had no right."
"What?" one of them said ― maybe it was Tigue. "What did we do?"
"What did we do?" G-off said, and I remembered that one of their talents was to parrot one another to reinforce a point.
"You took my father's story and passed it off as your own," I said, and then pointed accusingly at what I hoped was Morgan. It was: he put his head down for a moment in shame, and while he did I got a good look at his part, which was straight and deep, like a canal cutting through the landmass of his hair.
"OK," he said, raising his head. "I'll admit it: that was wrong of me."
"Very wrong," G-off said.
"But I paid for it," Morgan said.
"What do you mean?" I asked.
"As you know, I wrote the memoir and stole your father's story," Morgan said. "As you also might know, I was on parole when I wrote the book. Well, my parole officer read the book when it came out."
"Lots of people read it," Tigue said.
"It did quite well," G-off said. "It even went into paperback."
"Not all books do, you know," Tigue said.
"Anyway," Morgan said, "when the parole officer read the book, he thought I'd violated my parole by leaving the state. He wanted to put me back in prison. So I had to tell him that I'd made the whole thing up, that I hadn't even left Massachusetts and I'd never done those things or gone to those places and that it wasn't my story to begin with."
"Then word got out," Tigue said.
"The publisher found out and was pissed," G-off said. "He demanded the advance back, plus all royalties."
"I had to take out a loan to pay back the money," Morgan said. "I even had to move back in with my parents for a while."
"Hey, just like me," I said, meaning for our common experience to cheer him up. Which, of course, it didn't.
"It was humiliating," Morgan said.
"But I don't understand," I admitted. "I don't understand why you had to steal the story in the first place. Why didn't you go out and do something on your own and then write a book about it?" I'd been in the Book Warehouse, after all, and knew that it could be done. As far as I could tell from the memoir section, if you were a memoirist, you did something ― anything ― only so that you could write a book about it afterward.
"That's why we're here, Sam," Morgan said. "We came here for