An Autobiography [78]
the required speed being kept up or modified at pleasure without in any way interfering with the other machines. --This vacuum method of transmitting power dates from the time of Papin; but until it received the masterly touch of Murdoch it remained a dead contrivance for more than a century.
I concluded my visits to the workshops of Birmingham by calling upon a little known but very ingenious man, whose work I had seen before I left Edinburgh, in a beautifully constructed foot turning-lathe made by John Drain. I was so much impressed with the exquisite design, execution, and completeness of the lathe, that I made it one of my chief objects to find out John Drain's workshop. It was with some difficulty that I found him. He was little known in Birmingham. His workshops were very small; they consisted of only one or two rooms. His exquisite lathes were not much in demand. They found their way chiefly to distant parts of the country, where they were highly esteemed.
I found that he had some exquisitely finished lathes completed and in hand for engraving the steel plates for printing bank notes. They were provided with the means of producing such intricate ornamental patterns as to defy the utmost skill of the forger. Perkins had done a good deal in the same way; but Drain's exquisite mechanism enabled his engraving lathes to surpass anything that had before been attempted in the same line. I believe that Drain's earnest attention to his work, in which he had little or no assistance, undermined his health, and arrested the career of one who, had he lived, would have attained the highest position in his profession. I shall never forget the rare treat which his fine mechanism afforded me. Its prominent quality was absolute truth and accuracy in every part.
Having now had enough of the Black Country and of Birmingham workshops, I proceeded towards London. There were no more manufacturing districts to be visited. Everything now was to be green lanes, majestic trees, old mansions, venerable castles, and picturesque scenery. There is no way of seeing a country properly except on foot. By railway you whiz past and see nothing. Even by coach the best parts of the scenery are unseen. "Shank's naig" is the best of all methods, provided you have time. I had still some days to spare before the conclusion of my holiday. I therefore desired to see some of the beautiful scenery and objects of antiquarian interest before returning to work.
I made my way across country to Kenilworth. The weather was fine, and the walk was perfect. The wayside was bordered by grassy sward. Wide and irregular margins extended on each side of the road, and noble trees and untrinnned hedges, in their glowing autumnal tint, extended far and wide. Everything was in the most gloriously neglected and therefore highly picturesque condition. Here and there old farmhouses and labourers' cottages peeped up from amidst the trees and hedges-- worthy of the landscape painter's highest skill.
I reached Kenilworth about half an hour before sunset. I made my way direct to the castle, glorious in its decay. The fine mellow glow of the setting sun lit up the grand and extensive ruins. The massive Norman keep stood up with melancholy dignity, and attracted my attention more than any other part of the ruined building. To me there is an impressiveness in the simple massive dignity of the Norman castles and cathedrals, which no other buildings possess. There is an expression of terrible earnestness about them. The last look I had of the Norman keep was grand. The elevated part was richly tinted with the last glow of the setting sun, while the outline of the buildings beneath was shaded by a dark purply gray. It was indeed a sight never to be forgotten. I waited until the sun had descended beneath the horizon, still leaving its glimmer of pink and crimson and gray, and then I betook me to the little inn in the village, where I obtained comfortable quarters for the night. I visited the ruins again in the morning. Although the glory of the
I concluded my visits to the workshops of Birmingham by calling upon a little known but very ingenious man, whose work I had seen before I left Edinburgh, in a beautifully constructed foot turning-lathe made by John Drain. I was so much impressed with the exquisite design, execution, and completeness of the lathe, that I made it one of my chief objects to find out John Drain's workshop. It was with some difficulty that I found him. He was little known in Birmingham. His workshops were very small; they consisted of only one or two rooms. His exquisite lathes were not much in demand. They found their way chiefly to distant parts of the country, where they were highly esteemed.
I found that he had some exquisitely finished lathes completed and in hand for engraving the steel plates for printing bank notes. They were provided with the means of producing such intricate ornamental patterns as to defy the utmost skill of the forger. Perkins had done a good deal in the same way; but Drain's exquisite mechanism enabled his engraving lathes to surpass anything that had before been attempted in the same line. I believe that Drain's earnest attention to his work, in which he had little or no assistance, undermined his health, and arrested the career of one who, had he lived, would have attained the highest position in his profession. I shall never forget the rare treat which his fine mechanism afforded me. Its prominent quality was absolute truth and accuracy in every part.
Having now had enough of the Black Country and of Birmingham workshops, I proceeded towards London. There were no more manufacturing districts to be visited. Everything now was to be green lanes, majestic trees, old mansions, venerable castles, and picturesque scenery. There is no way of seeing a country properly except on foot. By railway you whiz past and see nothing. Even by coach the best parts of the scenery are unseen. "Shank's naig" is the best of all methods, provided you have time. I had still some days to spare before the conclusion of my holiday. I therefore desired to see some of the beautiful scenery and objects of antiquarian interest before returning to work.
I made my way across country to Kenilworth. The weather was fine, and the walk was perfect. The wayside was bordered by grassy sward. Wide and irregular margins extended on each side of the road, and noble trees and untrinnned hedges, in their glowing autumnal tint, extended far and wide. Everything was in the most gloriously neglected and therefore highly picturesque condition. Here and there old farmhouses and labourers' cottages peeped up from amidst the trees and hedges-- worthy of the landscape painter's highest skill.
I reached Kenilworth about half an hour before sunset. I made my way direct to the castle, glorious in its decay. The fine mellow glow of the setting sun lit up the grand and extensive ruins. The massive Norman keep stood up with melancholy dignity, and attracted my attention more than any other part of the ruined building. To me there is an impressiveness in the simple massive dignity of the Norman castles and cathedrals, which no other buildings possess. There is an expression of terrible earnestness about them. The last look I had of the Norman keep was grand. The elevated part was richly tinted with the last glow of the setting sun, while the outline of the buildings beneath was shaded by a dark purply gray. It was indeed a sight never to be forgotten. I waited until the sun had descended beneath the horizon, still leaving its glimmer of pink and crimson and gray, and then I betook me to the little inn in the village, where I obtained comfortable quarters for the night. I visited the ruins again in the morning. Although the glory of the