Ancestor Stones - Aminatta Forna [115]
To my house I added a two-room extension for Ansuman and Kadie, who by now were expecting their first child. And one Friday, after prayers, we moved them in together with their small amount of furniture. Ansuman brought me a gift, a dough sculpture. It was a house, with a roof and a door and windows that opened to reveal children peeping from within.
Later the same evening, long after the two had gone to bed, I sat outside on my stool at the back of the house fingering the keys on the belt around my waist, watching the patterns in the darkness, thinking about my dreams. Along time ago I learned how to read my dreams. Not in the way you’re imagining, with some kind of magic, but to look at them in such a way as allowed me to read what was in my own heart.
In my dreams I lived in a house. A small house, not too big. Sometimes a round house, like the kind I was brought up in when my grandmother still lived. Whitewashed with painted shutters and a place to grow vegetables at the back. Other times a square townhouse with a new wing, like this one. In my dreams I lived in this house with my children, everybody fat and smiling.
One day I noticed something about this dream, which I had had a great many times before. Something missing. I stood back and looked at my dream, the way you might look at a painting or a view. I looked everywhere, from the path leading up to the door, to the empty hammock swinging at the front of the house, I even searched the corners of the rooms. Nowhere. You see, in my dream there was no man. Just me and my house and my children.
And I knew I was as happy as I ever would be.
On the final day of my father’s forty days, my mother stood alone and naked in her room, waiting for the women to come who would wash her. The house had been swept, the drapes removed from the windows, shutters opened, mirrors revealed, the pictures of my father gone, too — given away to friends and relatives as keepsakes. All but one: a photograph taken before his slow death began. It showed my father standing alone in front of his house. Whenever he was photographed, which was not often, it was alone. Always. Except for the picture of him sitting alongside the other advisers to the obai, the one you once showed me in a book written by an American academic who came here as a young Peace Corps. He was leaning slightly forward, unsmiling, gazing with a terrible intensity into the camera lens as though he was trying to look into the future. Either that, or he had some unspoken dislike for the photographer.
The clothes she had worn during her mourning were gone too, with the exception of one simple house dress left for her to wear. It lay across the bed behind her.
My father would be my mother’s last husband. There were no brothers for her to choose a new husband from, the way she had chosen him. Maybe a cousin or a nephew could be brought in to take care of her. Maybe she would become a praying wife, join a household run by another woman. But in my heart I knew my mother would never be capable of living like that, she who had always been a head wife.
Outside, smoke from a charcoal pit drifted across the compound. the carcasses of a sheep and a goat hissed on their spits. Vats of rice bubbled on a row of three-stone fires. Women called to each other, lifted lids, passed wooden spoons from one to the other, heaved huge pots, cuffed a child here and there or clapped hands at the dogs who wove their way through the fuss. There would be prayers, then libations performed in my father’s honour by members of the society, heedless of his Muslim faith.
I should not have looked in at my mother, but I did. Hidden where she couldn’t see me, behind the shutter of the open window. In all my life I cannot remember having seen her naked except that one time. I had never even seen her without her hair covered.
There she stood, in the centre of the room, like a child waiting for her mother to come and dress her. Arms by her side, palms turned out, staring into the shadows. Folds of empty skin at her belly. Long,