Andre Cornelis [130]
needed to reflect at leisure upon the course to be taken with respect to M. Termonde, and my reflections had increased my doubts. At my request, my mother had written to me three times, giving me news of the patient, so that I was aware he was now better and able to go out. On my return, the day before, I had selected a time at which I was almost sure not to see anyone for my visit to my mother's home. And now, here was my stepfather, who had not been inside my door ten times since I had been installed in an apartment of my own, paying me a visit without the loss of an hour. My mother, he said, had sent him with a message to me. She had lent me two numbers of a review, and she now wanted them back as she was sending the yearly volume to be bound; so, as he was passing the door, he had stepped in to ask me for them. I examined him closely while he was giving this simple explanation of his visit, without being able to decide whether the pretext did or did not conceal his real motive. His complexion was more sallow than usual, the look in his eyes was more glittering, he handled his hat nervously. "The reviews are not here," I answered; "we shall probably find them in the smoking-room." It was not true that the two numbers were not there; I knew their exact place on the table in my study; but my father's portrait hung in the smoking-room, and the notion of bringing M. Termonde face to face with the picture, to see how he would bear the confrontation, had occurred to me. At first he did not observe the portrait at all; but I went to the side of the room on which the easel supporting it stood, and his eyes, following all my movements, encountered it. His eyelids opened and closed rapidly, and a sort of dark thrill passed over his face; then he turned his eyes carelessly upon another little picture hanging upon the wall. I did not give him time to recover from the shock; but, in pursuance of the almost brutal method from which I had hitherto gained so little, I persisted: "Do you not think," said I, "that my father's portrait is strikingly like me? A friend of mine was saying the other day that, if I had my hair cut in the same way, my head would be exactly like--" He looked first at me, and then at the picture, in the most leisurely way, like an expert in painting examining a work of art, without any other motive than that of establishing its authenticity. If this man had procured the death of him whose portrait he studied thus, his power over himself was indeed wonderful. But--was not the experiment a crucial one for him? To betray his trouble would be to avow all? How ardently I longed to place my hand upon his heart at that moment and to count its beats. "You do resemble him," he said at length, "but not to that degree. The lower part of the chin especially, the nose and the mouth, are alike, but you have not the same look in the eyes, and the brows, forehead, and cheeks are not the same shape." "Do you think," said I, "that the resemblance is strong enough for me to startle the murderer if he were to meet me suddenly here, and thus?"--I advanced upon him, looking into the depths of his eyes as though I were imitating a dramatic scene. "Yes," I continued, "would the likeness of feature enable me to produce the effect of a specter, on saying to the man, 'Do you recognize the son of him whom you killed?"' "Now we are returning to our former discussion," he replied, without any farther alteration of his countenance; "that would depend upon the man's remorse, if he had any, and on his nervous system." Again we were silent. His pale and sickly but motionless face exasperated me by its complete absence of expression. In those minutes--and how many such scenes have we not acted together since my suspicion was first conceived--I felt myself as bold and resolute as I was the reverse when alone with my own thoughts. His impassive manner drove me wild again; I did not limit myself to this second experiment, but immediately devised a third, which ought to make him suffer as much as the two others, if he were guilty.