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Andre Cornelis [48]

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seized me, a red cloud passed over my eyes, I felt my heart freezing, and I thought myself dying. Then I spoke and said: 'Count Leminof, thou canst kill me, but thou shalt not tear from me the secrets of the confessional.'" And at these words, the priest stooping, laid bare his right foot and showed Gilbert the bruised and withered flesh, and bones deformed by torture; then covering it again he recoiled, as if from a serpent in his path, and cried in a thundering voice, extending his arms to Heaven: "God curse the vipers who take the form of doves! Oh, Solomon, hast thou not written in thy Proverbs: 'When he shall speak graciously, do not believe him, for he has seven abominations in his heart'?" As he listened to the recital of the priest, Gilbert was reminded of some incoherent phrases of the somnambulist, which he had not been able to explain: "STRETCH HIM ON THIS TABLE! THE BLACK ROBE! TIGHTEN THE IRON BOOTS!" "That black robe then," said he to himself, "was Father Alexis." He rose and looked at the priest in surprise and admiration; he could not take his eyes from that face which he believed he saw for the first time, and he murmured in a low voice: "My God! how complex is the heart of man. What a discovery I have just made!" Then he tried to approach him; but the priest, still recoiling and raising his arms threateningly above his head, repeated: "Cursed be the vipers who come in the form of doves!" "And I say," cried Gilbert, "blessed forever be the lips which have touched the sacred coal, and keep their secrets even unto death!" And rushing upon him he took him in his arms, and kissed three times the scar which the cruel bite of Solon had left. Father Alexis was surprised, stupefied, and confounded. He looked at Gilbert, then at Abraham, then at Jacob. He uttered disjointed phrases. He called upon Heaven to witness what had happened to him, gesticulated and wept until, overcome by emotion, he dropped on the marble step, and hid his face, bathed in tears, in his hands. "Father," said Gilbert respectfully, seating himself near him, "pardon me for the agitation I have caused you. And if by chance some distrust of me remains, listen to what I am about to tell you, for I am going to put myself at your mercy, and by betraying a secret it will depend upon you to have me expelled from this house the day and hour you please." He then related to him the scene of the corridor. "Judge for yourself what impression the terrible words I heard produced upon me! For some days my mind has been at work. I ceaselessly tried to picture to myself the details of this lamentable affair; but fearing to stray in my suspicions, I wished to make a clean breast of it, and came to find you. I have grieved you sorely, father; once more, will you pardon my rash curiosity?" Father Alexis raised his head. Farewell to the saint! farewell to the prophet! His face had resumed its habitual expression; the sublime tempest which had transfigured it had left but a few almost invisible traces of its passage. He looked at Gilbert reproachfully. "Ah!" said he, "it was only for this that you sought me? My dear child, you do not love the arts then?"

XII

That day Gilbert passed an entire hour at his window. It was not the Rhine which fixed his attention, nor the precipice, the mountains nor the clouds. The narrow space within which he confined his gaze was bounded on the west by the great square tower, on the south by a gable, on the north by a spout; I mean to say that the object of his contemplations was a very irregular, very undulating roof, or to speak more accurately, two adjacent and parallel roofs, one higher than the other by twelve feet, and both inclining by a steep slope towards a frightful precipice. As he closed the window, he said to himself: "After all, it is less difficult than I thought; two rope ladders will do the business, with God's help!" M. Leminof finding himself too much indisposed to leave his room, Gilbert dined alone in his turret; after which he went out for a walk on the borders of the Rhine. As he left the
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