Angle of Repose - Wallace Stegner [51]
“Well,” Oliver said when the carriage had passed out of sight among the oaks. “That’s something I never saw before.”
“What? Their calling? It seems only polite.”
“They’ve never called on anyone else.”
“It’s because of Conrad Prager. Mr. Kendall knows you’ve got an important connection.”
“If he thought my connections were that important, why wouldn’t he let me go East and get you?” Oliver said. “Why would he stick me for the whole price of the renovations? No, you’ve got them wrong. They’re impressed because you’re an artist. You make New Almaden look classy.” He looked at her as he might have looked at a horse he was thinking of buying. “Matter of fact,” he said, “you do.”
In the afternoon Susan got a few minutes to herself and began a serial letter to Augusta. She got in a good deal of literary landscape painting and an impression of the manager and his wife. Mrs. Kendall, she thought, “has those qualities of surface prettiness and ladylike manners that make her at once attractive and uninteresting.” Of Kendall himself she said, “It is hard to believe that this largest mine in the world–Oliver says there are twenty-seven miles of underground workings-should be under the absolute despotic control of this small, mild-mannered man, and that one’s whole future should be at the mercy of his whim. Fortunately, he appears to regard Oliver highly, and Oliver, I am proud to say, bears himself in the presence of his superior as befits a man. In spite of his agreeableness I could not quite forget that he forced Oliver to spend his last cent in making over the cottage that is properly part of his compensation–the cottage moreover which he now praises for its charm.”
That night they had supper with the lower echelons of New Almaden society, the crew of junior engineers, college students, and “outside captains” who boarded with Mother Fall. I don’t suppose the atmosphere of a third-class boardinghouse was any more exhilarating to her than the near-gentility of the Kendalls, but at least it was honestly what it was, and Oliver was at ease in it. The talk was about evenly divided between engineering technicalities and comments an Oliver’s undeserved luck. In their exaggerated joking, at once boisterous and shy, they enlisted her sympathy, because she thought them lonely, but she did not therefore think of them as potential friends or companions. When she had occasion to add a few paragraphs to her letter she told Augusta that they were “nice enough to see once in a while, but I don’t think I shall care greatly for any of the people here.”
A terrible snob you were, Grandmother, in spite of the Quaker background and the farm upbringing, and in spite of the fact that you would have been too warmhearted to let any of these young men see your snobbery. Thanks partly to your success in art, and more to the influence of Augusta and Thomas Hudson, you had gentility in your eye like a cinder, and there would be a lot of rubbing, reddening, and irritation before your tears flooded it out.
As they sat after supper talking and rocking on the boardinghouse porch in the chilly night air tainted with Cornish Camp smells, two miners approached and signaled Oliver down the