Anita Blake, Vampire Hunter Colletion_ Books 11-15 - Laurell K. Hamilton [877]
The vampires were chasing her around the stage. It was a beautifully choreographed game of cat and mouse. They would jump out at her, use that incredible speed to stop her from leaving the stage. She’d almost run past them, but they would be there, grabbing a hand, throwing her backward, sliding her prettily across the stage. I wondered how she kept the white tights so white doing all that.
I felt Adonis move forward. I felt his power reach outward. He flew slowly toward the stage, going down as if on wires, so slow, so incredibly slow. It wasn’t a bird of prey, it was like a picture of some heaven-bound saint, except this one was coming down, not going up. He touched the stage and the dancers froze. A red-haired vampire came to his hand as if he’d commanded her. The dancers all formed couples, and began to dance around the girl. She was huddled in the middle, not begging anymore. She had given up on asking for help. She huddled like a white star in the center of the bright colors of the vampires.
They danced, and showed that they could do traditional ballet. Then the music changed. The couples gave themselves more room, and they began to do dancing that would have looked more at home on the stage at Guilty Pleasures than at the ballet. It was still beautiful, graceful, predatory, but it was also very sexual. Nothing that would get you arrested, but as they had been able to convey menace, pity, and derision, with a gesture and a look, now they conveyed sex.
The girl hid her face, as if it were too awful to watch. It was Adonis who stood above her. She raised a startled face, slowly, the way the actors look up in a horror movie when they hear that noise, and know, somehow, that the monster is right there. She gazed up at the handsome man, with that look on her face, in the posture of her body. No matter how beautiful he was, she made you see him as hideous, dangerous, frightening.
He grabbed her wrist, and they did a slow dance, with him half-dragging her, and her trying to stay farther away from him. Her reluctance for him to touch her screamed through her every movement. But he won, as you knew he would. He jerked her into his embrace, and went skyward. He flew her out over the audience, while she struggled, and pounded at him with little fists. So he dropped her. She actually screamed, before another vampire caught her. Caught her just over the audience’s heads. The audience gasped and screamed with her. The vampires played catch with the girl. One would rise, then let her struggles make him drop her. She began to cling to them, and they tore her hands from their clothes and flung her to the air. Then Adonis caught her again, and he held her close. I caught the shine of tears on her face as he floated past us. He grabbed that shining fall of hair, and wadded his hand in it. He pulled her neck into a graceful, straining line, and pretended to bite her. Then he threw her to the next vampire, and that one bit her, too. They began to close in around her in a tight floating ball of arms and legs. When they parted, her neck was dotted with fake blood, and she went eagerly to them. Embracing them with graceful arms. It became a lovely feeding frenzy. From one set of arms to another, from one man, one woman, to another, until the vampire’s faces were stained crimson, and the girl’s dress looked like an accident victim’s sheet. The fake blood made the dress cling to her body, so you could see the muscles, the small tight breasts. It was both alluring and utterly disturbing.
The audience was silent with tension, as the vampires landed on the stage again. They surrounded her, hiding her from view. It gave the illusion that all of them were feeding at once, though I knew logistically that wasn’t possible. Too many mouths to fit like that.
A new vampire stalked onto the stage. He was dark-haired,