Anita Blake, Vampire Hunter Colletion_ Books 6-10 - Laurell K. Hamilton [638]
The man, king or high priest, talked in rich tones. I caught part of it. Something about the month of Toxcatal, and a chosen one. I could not concentrate on his voice, any more than I could gaze upon him because to give him too much of my attention meant I was caught up in the spell he was weaving over the crowd. It wasn’t a spell in the true sense of the word, but there was power in it, if not magic. The difference between magic and power can be very small. I’d been forced to accept that fact in the last two years.
The high priest was human, but there was a taste of ages to him. There are just not that many ways for a human to last centuries. One way is to be the human servant of a powerful master vamp. Unless Obsidian Butterfly was more generous about sharing her power than most of the Masters of the City that I’d met, the high priest belonged to her. He was too powerful an echo of his master to be endured unless she was that master. Master vamps have a tendency to either destroy or own that which is powerful.
The high priest had been powerful in life, a charismatic leader. Now centuries of practice had turned that charisma into a kind of magic. I’d had full-fledged vamps not affect me this much. If this was the servant, how scary was the master going to be? I sat there at the stone table, flexing my shoulders to feel the tightness of the shoulder holster. I was glad I’d packed an extra clip of bullets. I moved my wrists just enough to feel the knives resting against my arms. I was very glad I’d brought the knives. You can stab vamps and keep them alive, but still make your . . . point.
I was finally able to separate the power of his voice from the words. Most vamps, when they can, do tricks with their voices. The words themselves hold the key. They say beautiful, and you see beauty. They say terror, and you feel afraid. But this voice had little to do with the words. It was just an overwhelming aura of power like a great white noise hum. The audience may have thought that they were hanging on every word, but the man could have recited a grocery list with similar effect.
The words were, “You saw him as the god Tezcathpoca in our opening dance. Now see him as a man.” The lights had been dimming as the priest spoke, until he was left in near darkness; only the iridescent gleam of feathers showed as he moved. The light came up on the other side of the stage, revealing a man, pale skin that glowed in the lights from his bare feet to equally bare shoulder. His back was to the audience and for a moment I thought he was nude. There was nothing to break up the curve of his body from the swell of his calves, to his thighs, the tight roundness of his buttocks, the lean waist, the spread of shoulders. His hair looked black under the lights, cut so close to his head that it looked shaved. He turned slowly, revealing the barest of G-strings, a color so close to his skin that you knew the illusion of nudity was a planned effect.
His face shone unadorned like a star, starkly beautiful. He looked somehow pure and perfect, which wasn’t possible. No one human was perfect. But he was pretty. A line of black hair ran down the center of his chest and stomach to vanish into the thong. Our table was close enough, and his body white enough, that I could see the thin line of hair encircling his nipples to meet that thin line down his chest like the soft arms of a T.
I actually had to shake my head to clear it. Maybe it was being celibate, or maybe there was more magic in the air than just the voice of the human servant. I looked back at the stage and knew that it was only a trick of the light that made his skin seem to glow. I looked over at Professor Dallas. She had her head bent very close to Edward, talking to him in whispers. If she saw the show almost every night, it