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Annabel - Kathleen Winter [128]

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feel this way once she had accepted the offer of a makeup consultation, or was this artist unique? Wayne had no idea. He thought of the name Robin, how blue the egg of a robin was in spring and how a robin meant certain hope.

The artist told Wayne that you wear colours on your face that are the opposite of the colours in your eyes. He showed him how to create a lifetime supply of lipstick by using a pot of face powder for pigment and mixing it with any clear lip gloss.

“If you take this face powder meant for women with dark skin, you can push it into your lash line with a brush and one pot will last you for years.”

“Thank you,” Wayne said when Robin Williams showed him his new face in the mirror. He wondered if the colour around his eyes made him look harrowed. He was not sure. He decided to have faith for now, and bought the pots. He did not feel that Robin Williams was unscrupulous, or that he was there purely to sell.

“I applied these with a Lancôme brush, but you can use any brush. You do not have to buy Lancôme brushes, which are twenty-four dollars.”

The makeup artist was there to sell pots of makeup, to be sure, but Wayne felt he cared about what he did. Robin Williams felt that life was something in which maybe you would cry, and he gave every woman dignity by tracing her mouth, her eyes, her skin, with kind hands.

When he went back out into the mall, Wayne was glad there were crowds. He thought he might like to come back here in future and just walk or sit in the food court and know no one was interested in him. There was no Frank King, and no Derek Warford. He did not like the mall or find anything in it beautiful. It was ugly, really, as featureless and anonymous as any mall in North America, but this gave him a feeling that he was hiding, just for a while, from daylight and from scrutiny. St. John’s had a hard daylight sharpened by the shale of Signal Hill and the Southside hills. There was no retreating from it downtown or in the Battery. But here in the mall you were anonymous, and you could rest.

But he was sitting in the food court with a hot chocolate in a paper cup, thinking about whether to get noodles from China Hut or some teriyaki chicken from Koya Japan, when he saw someone he knew. At first he hoped it was not the person he thought it was. He did not want that person to see him in the clothes he had bought from Fairweather. Several times now he had thought he saw people he knew from Labrador. It was a thing that happened when you went to a new place. People from your old home seemed to appear, but it was an illusion of place, and when you got close to them, you realized they were not that person at all. This had happened to Wayne a few times. Once he even thought he saw his father, but of course he had not. But this woman looked more and more, the closer she got to Wayne, like his old school principal, Victoria Huskins, the woman who had berated a child in kindergarten for having an accident in the school washroom. The woman responsible for suspending Thomasina Baikie the time she took Wayne to the hospital when he was in grade seven. She had come out of the drugstore where he had just had his face made up by Robin Williams, and she had entered the food court and was now looking around at the different stalls as he had done, trying to decide what she was going to eat, and he was still waiting for the moment when he could tell himself it was certainly not Victoria Huskins, but a stranger, when she recognized him.

31


My Dear Companion


WHAT HAPPENED, WAYNE WONDERED, to make a person like Victoria Huskins appear younger after her retirement? Without saying anything about his appearance, she greeted him with what felt like genuine warmth, asked if he was free to chat with her while she had her lunch, and left her bags at his table while she went to get herself a Dairy Queen cheeseburger and a caramel sundae. When she came back to the table, she did not unwrap the burger but began eating the sundae.

“I’m having dessert first.” Her hair was straight instead of being held in a controlled

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