Anne of Green Gables - L. M. Montgomery [69]
“Why didn’t you tell them it was my fault?” demanded Anne.
“It’s likely I’d do such a thing, isn’t it?” said Diana with just scorn. “I’m no telltale, Anne Shirley, and anyhow I was just as much to blame as you.”
“Well, I’m going in to tell her myself,” said Anne resolutely.
Diana stared.
“Anne Shirley, you’d never! why—she’ll eat you alive!”
“Don’t frighten me any more than I am frightened,” implored Anne. “I’d rather walk up to a cannon’s mouth. But I’ve got to do it, Diana. It was my fault and I’ve got to confess. I’ve had practice in confessing fortunately.”
“Well, she’s in the room,” said Diana. “You can go in if you want to. I wouldn’t dare. And I don’t believe you’ll do a bit of good.”
With this encouragement Anne bearded the lion in its den—that is to say, walked resolutely up to the sitting-room door and knocked faintly. A sharp “Come in” followed.
Miss Josephine Barry, thin, prim and rigid, was knitting fiercely by the fire, her wrath quite unappeased and her eyes snapping through her gold-rimmed glasses. She wheeled around in her chair, expecting to see Diana, and beheld a white-faced girl whose great eyes were brimmed up with a mixture of desperate courage and shrinking terror.
“Who are you?” demanded Miss Josephine Barry without ceremony.
“I’m Anne of Green Gables,” said the small visitor tremulously, clasping her hands with her characteristic gesture, “and I’ve come to confess, if you please.”
“Confess what?”
“That it was all my fault about jumping into bed on you last night. I suggested it. Diana would never have thought of such a thing, I am sure. Diana is a very ladylike girl, Miss Barry. So you must see how unjust it is to blame her.”
“Oh, I must, hey? I rather think Diana did her share of the jumping at least. Such carryings-on in a respectable house!”
“But we were only in fun,” persisted Anne. “I think you ought to forgive us, Miss Barry, now that we’ve apologized. And anyhow, please forgive Diana and let her have her music lessons. Diana’s heart is set on her music lessons, Miss Barry, and I know too well what it is to set your heart on a thing and not get it. If you must be cross with any one, be cross with me. I’ve been so used in my early days to having people cross at me that I can endure it much better than Diana can.”
Much of the snap had gone out of the old lady’s eyes by this time and was replaced by a twinkle of amused interest. But she still said severely:
“I don’t think it is any excuse for you that you were only in fun. Little girls never indulged in that kind of fun when I was young. You don’t know what it is to be awakened out of a sound sleep, after a long and arduous journey, by two great girls coming bounce down on you.”
“I don’t know, but I can imagine,” said Anne eagerly. “I’m sure it must have been very disturbing. But then, there is our side of it too. Have you any imagination, Miss Barry? If you have, just put yourself in our place. We didn’t know there was anybody in that bed and you nearly scared us to death. It was simply awful the way we felt. And then, we couldn’t sleep in the spare room after being promised. I suppose you are used to sleeping in spare rooms. But just imagine what you would feel like if you were a little orphan girl who had never had such an honor.”
All the snap had gone by this time. Miss Barry actually laughed—a sound which caused Diana, waiting in speechless anxiety in the kitchen outside, to give a great gasp of relief.
“I’m afraid my imagination is a little rusty—it’s so long since I used it,” she said. “I dare say your claim to sympathy is just as strong as mine. It all depends on the way we look at it. Sit down here and tell me about yourself.”
“I am very sorry I can’t,” said Anne firmly. “I would like to, because you seem like an interesting lady, and you might even be a kindred spirit although you don’t look very much like it. But it is my duty to go home to Miss Marilla Cuthbert. Miss Marilla Cuthbert is a very kind lady who has taken me to bring up properly. She is doing her best, but it is very discouraging work.