Anno Dracula - Kim Newman [4]
‘An old wound,’ I said. ‘It’s nothing.’
She smiled and I quickly drew my silver edge across her neck, pressing firmly with my thumb, cutting deep into pristine dead-flesh. Her eyes widened with shock – silver hurts – and she released a long sigh. Lines of thin blood trickled like rain on a window-pane, staining the skin over her collar-bones. A single tear of blood issued from the corner of her mouth.
‘Lucy,’ I said, remembering...
I held up the girl, my body shielding her from passersby, and slid the scalpel through her stays and into her heart. I felt her shudder and fall lifeless. But I know the dead can be resilient and took care to finish the job. I laid her in the well of the sunken doorway and completed the delivery. There was little blood in her; she must not have fed tonight. After cutting away her corset, easily ripping the cheap material, I exposed the punctured heart, detached the intestines from the mesentery, unravelled a yard of the colon, and removed the kidneys and part of the uterus. Then I enlarged the first incision. Having exposed the vertebrae, I worried the loose head back and forth until the neckbones parted.
2
GENEVIEVE
Noise reached into her darkness. Hammering. Insistent, repeated blows. Meat and bone against wood.
In her dreams, Geneviève had returned to the days of her girlhood in the France of the Spider King, la Pucelle and the monster Gilles. When warm, she had been the physician’s daughter not Chandagnac’s get. Before she turned, before the Dark Kiss...
Her tongue felt sleep-filmed teeth. The aftertang of her own blood was in her mouth, disgusting and mildly exciting.
In her dreams, the pounding was a mallet striking the end of a snapped-in-half quarterstaff. The English captain finished her father-in-darkness like a butterfly, pinning Chandagnac to the bloodied earth. One of the less memorable skirmishes of the Hundred Years’ War. Barbarous times she had hoped deservedly dead.
The hammering continued. She opened her eyes and tried to focus on the grubby glass of the skylight. The sun was not yet quite down. Dreams washed away in an instant and she was awake, as if a gallon of icy water were dashed into her face.
The hammering paused. ‘Mademoiselle Dieudonné,’ someone shouted. It was not the director – usually responsible for urgent calls that dragged her from sleep – but she recognised the voice. ‘Open up. Scotland Yard.’
She sat, sheet falling away. She slept on the floor in her underclothes, on a blanket laid over the rough planks.
‘There’s been another Silver Knife murder.’
She had been resting in her tiny office at Toynbee Hall. It was as safe a place as any to pass the few days each month when lassitude overcame her and she shared the sleep of the dead. Up high in the building, the room had only a tiny skylight and the door could be secured from the inside. It served, as coffins and crypts served for those of the Prince Consort’s bloodline.
She gave a placatory grunt and the hammering was not resumed. She cleared her throat. Her body, unused for days, creaked as she stretched. A cloud obscured the sun and the pain momentarily eased. She stood up in the dark and ran her hands over her hair. The cloud passed and her strength ebbed.
‘Mademoiselle?’
The hammering started again. The young were always impatient. She had once been the same.
She took a Chinese silk robe from a hook and drew it about herself. Not the dress etiquette recommended to entertain a gentleman caller, but it would have to do. Etiquette, so important a few short years ago, meant less and less. They were sleeping in earth-lined coffins in Mayfair, and hunting in packs on Pall Mall. This season, the correct form of address for an archbishop was hardly of major concern to anyone.
As she slid back the bolt, traces of her sleep-fog persisted. Outside the afternoon was dying; she would not be at her best until night was about her again. She pulled open her door. A stocky new-born stood in the corridor, long coat around him like a cloak, bowler hat shifting