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Appointment in Samarra - John O'Hara [45]

By Root 2101 0
and Krafft-Ebing and the lesser psychologists as more than merely pornography. Up to that summer Caroline had been deeply in love twice in her life, although from the time she put her hair up she was always in love with someone. One of the men, the first, was a distant cousin of hers, Jerome Walker. He was an Englishman by birth and education, and he came to Gibbsville in 1918. He was about twenty-five and a captain in the British army. He was through, so far as the war was concerned; they were taking more and more bone out of his left leg, and putting in more and more silver. His presence in the United States, which he never before had visited, was to teach modern warfare to the draft army. Gibbsville girls threw themselves at him when he turned up at Caroline s house on a month s leave, and he was invited everywhere, a catch. He wore slacks, which were slightly unmilitary, and the stick he carried had a leather thong which he wrapped around his wrist. His tunic was beautifully tailored, and the little blue and white ribbon of the Military Cross, which no one identified, gave a nice little touch of color to his uniform. His lack of height fitted in with the fact that he was an invalid, a casualty, as most of the Gibbsville women and men called him. He took one careful look at Caroline and then and there decided for himself that this girl in the three-cornered hat and long gray spats and nicely cut suit was going to be something worth trying for. He was quite confident he could swing it in a month s time. He very nearly did. Caroline s father was dead, and her mother was deaf, the kind of deaf person who, not wishing to yield to her deafness, refuses to learn to read lips or to wear earphones. In the Walker mansion on South Main Street were Caroline, her mother, the cook and the maid. And Jerry. The first time he kissed her he all but gave up his ideas of having an affair with her. It was awfully far from the war, this warm room in Gibbsville in Pennsylvania in America, and there was nothing particularly warlike about Oui, oui, Marie, will you do ziss for me? which was going round and round on the phonograph. Caroline, except for her horrible accent, might have been an English girl, a sister of a friend, at home. But when she got up to change the needle and the record he reached out and took her hand and drew her to him, sat her on his right knee, and kissed her. She went to him without resistance but only the thought: Well, we can kiss, can t we? But the kiss was not very successful, because they bumped noses in trying to get their heads at the right angles, and he let her go. She stopped the Victrola and came back and sat beside him. He took her hand and she looked at it and then looked up presently at him. They did not speak, and when she looked at him he was smiling very gently. A nervous smile came and went on her face and then she moved closer to him and really kissed him. But the moment of unscrupulousness had passed for him. She was all body and sensation and he had the terrible consciousness that while she felt this way, anything he chose to do to her, anything, would not be resisted. This lasted a minute, two minutes, maybe five, before she squeezed back into herself and put her head on his shoulder. She was ashamed and grateful, because she never before had let herself go that way. Let s have a cigarette, she said. Do you smoke?

I m not allowed to, but I do. You hold it and I ll take a puff.

He got his silver case out of his trousers pocket and she smoked, not holding the cigarette very expertly, but taking appalling inhales. Cute was the word for her as she sat there, blowing smoke out of her mouth and nostrils, smoking the cigarette too fast. He took it from her to cool it off, and then they heard the quick catch of her mother s car, a Baker electric, in the driveway on the way back to the stable. Caroline got up and put Poor Butterfly on the Vic. That s one of our old records, she said, but I like it because it s so syncopated. Anything that had the sound of the trap-drummer s wood blocks in it was syncopated.

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