Architects of Emortality - Brian Stableford [13]
“What’s going on, Charlotte?” he asked sharply.
Her heart sank. She felt as if she were at infants’ school and had been caught doing something naughty in the playground.
“Oscar Wilde arrived here a few moments ago,” she said. “He has an appointment to see Gabriel King. I’m just trying to find out—” “Of course,” Hal said, brusquely cutting her off. “Dr. Wilde?” Having been effectively instructed to surrender her position in front of the beltpack’s camera to Wilde, Charlotte reluctantly handed it over.
“I’m Hal Watson, Dr. Wilde,” Hal said politely. “I’ve been trying to contact you, but your silver refused to interrupt your journey. We need your services as an expert witness. I’m required to inform you that you will henceforth be acting under UN authority, bound by the duty to report honestly and fully on everything you may see, hear, or discover. Will you affirm that you accept that duty and all that is implied thereby?” That’s what I should have done! Charlotte thought, mortified by the error of omission.
“Of course,” said Wilde. “I shall be delighted to assist you in any way that I can, and I hereby affirm my willingness and intention to tell the truth, the whole truth, and nothing but the truth. Will that suffice?” “It will,” said Hal grimly. “Now, Dr. Wilde, I’m going to display a videotape on the screen. I’m sorry the picture quality is so poor, but time is of the essence. I want you to look at it carefully, and then I want you to tell me everything you know, or are able to deduce, about the contents of the tape.” Charlotte stood to one side, quietly fuming, as Wilde casually handed back her beltphone and took up his own instead, plugging it in beside hers. The tape began to run, beginning with a pan around the crime scene.
The reception room where Gabriel King had died was furnished in an unusually utilitarian manner; the gantzer’s tastes had obviously been rather Spartan.
Apart from the food delivery point, the room’s main feature was a particularly elaborate array of special-function telescreens. There were VE-mural screens on two of the walls, but they displayed plain shades of pastel blue. There was no decorative plant life integrated into either of the remaining walls, nor was there any kind of inert decoration within the room—except for the vase containing the golden flowers that King’s last visitor had given to him, which had been set on a glass-topped table in the center of a three-sided square formed by a sofa and two chairs.
On the sofa lay all that remained of the late Gabriel King. The “corpse” was no more than a skeleton, whose white bones were intricately entwined with gorgeous flowers.
The camera zoomed in on the strange garlands which dressed the reclining skeleton. The stems and leaves of the marvelous plant were green, but the petals of each bloom—which formed a hemispherical bell—were black. The waxy stigma at the center of each flower was dark red and was shaped into a decorated crux ansata.
Charlotte watched Oscar Wilde lean forward to inspect the structure and texture of the flowers as closely as the wallscreen permitted. The camera followed the rim of a corolla, then passed along a stem. The stem bore huge curved thorns, paler in color than the flesh from which they sprouted. Each thorn was tipped with red, as if it had drawn blood. There were other embellishments too—bracts of intricate design, like little lace handkerchiefs, arrayed beneath each flower head.
Wilde seemed to Charlotte to be lost in rapt contemplation of the way that the stems wound around the long bones, holding the skeleton together even though every vestige of flesh had been consumed. The plant had no roots but had supportive structures like holdfasts, which maintained the shape of the whole organism and the coherence of the skeleton too.
Charlotte knew that all this could not be mere accident; the winding of the stems had been carefully programmed for exactly this purpose. The skull, in particular, was very strikingly embellished, with a single stem emerging from each of the