upon me by my parents. I was happy to use it in those days because it sounded like a pseudonym—a double bluff encouraged by the delight I took in aping the mannerisms of my ancient namesake.” “Perhaps,” Hal said suspiciously, “the message which summoned you here was also a double bluff. Perhaps your identification of the pseudonymous Rappaccini as the person who made the flowers is a double bluff too.” Oscar Wilde shook his head sorrowfully and breathed in deeply, as though to prepare for a huge sigh. “I wish that I could take pride in being a prime suspect,” he said dolefully, “but I really am aware of the serious implications of this matter. Perhaps I should be flattered that you think me to be capable not only of producing these astounding blooms, but also of returning to the scene of my crime in this cavalier manner; I really must not be tempted to take credit for such daring and arrogance, however. It would only hold up your investigation. I can assure you that I have an ironclad alibi for the time of death. Three days ago I was in a small private hospital, and the flesh of my outer tissues was unbecomingly fluid. I had been there for some time, undergoing rejuvenation treatment.” “That doesn’t prove anything,” Charlotte put in. She was beginning to think that this facetious poseur might be capable of almost anything. “You might have made the seeds months ago, and you might have taken great care to make sure that they were delivered—or, at least, that they began to take effect—while you were in the hospital.” “I suppose I might have,” said the man who had programmed his sim to call him the Young Master in anticipation of his reemergence from the hospital, “but I didn’t. If you are determined to ignore my advice there is evidently nothing I can say to change your mind—but I assure you that your investigation will proceed much more smoothly if you forget about me and concentrate on Rappaccini.” Charlotte could not tell whether or not Wilde’s manner was calculated to give an impression of arrogant insincerity. It was, she supposed, just about possible that he conducted himself in this florid fashion all the time. She could not help glancing at Michael Lowenthal, as if to inquire what he thought of all this, but the blond man was content to watch in fascination; he did not even meet her glance.
“If the murderer wished to be identified,” Hal Watson said, “why didn’t he simply leave his own name on the screens in King’s apartment, with an explanation of his motive?” “Why did he not simply shoot Gabriel King with a revolver?” countered the geneticist. “Why has he gone to the effort of designing and making this fabulous plant? There is something very strange going on here, no matter how much you might wish that it were simpler than it seems. We must accept the facts of the matter and do our best to see the significance within them.” Charlotte noticed Michael Lowenthal nodding his head slightly, presumably in mute agreement. She wished, belatedly, that she had had the patience to stand by, as Lowenthal had done, and watch the farce unfold while wearing an expression of keen concentration. Unlike Hal and herself, Lowenthal had not yet contrived to make a fool of himself by dueling verbally with Oscar Wilde.
“Perhaps there is no real significance in the more bizarre facts,” Hal said, stubbornly plugging on. “As you must have realized, Dr. Wilde, we’re obviously dealing with a mad person: a very dangerous mad person. The method of murder may simply be an expression of his—or, of course, her—madness.” “Perhaps we are dealing with a mad person,” Wilde agreed, refusing to respond to the obvious suggestion that he might be the mad person in question, “but if this is madness, it is very methodical madness, and madness with a hint of artistic genius. You must confess that as crimes go, this qualifies as one of the most unusual ever devised—highly original, and executed with great care.” “Dr. Wilde,” said Hal, his voice weary with tried patience, “originality is not an issue here. This was cold-blooded murder, and it has to be treated