Architects of Emortality - Brian Stableford [98]
King was surely the only one who had it in him to attract the wrath of a jealous lover, if one could believe in a lover jealous enough to kill.
Stuart could believe in a lover jealous enough to kill, because he knew that jealousy—like claustrophobia—was one of those soul afflictions with which nanotechnology had never quite come to grips. He could not, however, believe in a lover jealous enough to kill four times over, picking out victims who were all approaching two hundred years old. Who in the world could possibly be jealous of a man whose brain had exploded in a chaotic mess of superfluous neural connections? Or a man who had almost lost contact even with simulations of the real world, preferring expeditions into the remoter reaches of perverted perception? “I knew I’d find you here.” The voice cut through Stuart’s ruminations like a knife, and he felt his heart lurch as he started—but by the time he turned, he was in control of himself.
“Julia!” he said. “You shouldn’t creep up on a man when he’s just been told that he might be about to be murdered. Not a man of my age, at any rate. I’m fragile.” Her vivid green eyes seemed to be laughing, although her beautiful mouth was only slightly curved into a quizzical smile. The sultry breeze drifting from the sea was barely sufficient to stir her red-gold hair, but the hairs were so fine that her tresses shifted like the surface of the patient sea. Her hair had always seemed to Stuart to have a life of its own. “Murdered?” she echoed. “Why would anyone want to murder you?” “They wouldn’t,” he answered. “They couldn’t possibly. But someone, it seems, has a grudge against selected Wollongong alumni of my particular vintage. The UN police are actually calling everyone who was there at that time, fishing for a motive. And you needn’t feel complacent about it—they’re circulating a description of a murder suspect who’s almost as beautiful as you. If you were to change the color of your hair and eyes, and apply a little synthetic flesh to the contours of your cheeks… you should be grateful that I know you so well and that I’m not in the least paranoid. A lesser man might have given your name to the police, and you’d be under arrest by now.” “I doubt that,” Julia said, coming forward to take him by the arm and turning him so that he could walk back to the house with her. “They’d have to find me first, then catch me.” “It’s a small island,” he pointed out, “and there’s nowhere to run or hide.” “It’s big enough,” she assured him. “I brought you some flowers, by the way. I put them in your living room. It’s a new design, by Oscar Wilde.” “I can’t quite understand your fondness for that man’s work,” Stuart confessed.
“He’s a nineteenth-century man, insofar as he’s a historian at all. Not one of us.” By us he meant specialists in the twenty-second century: the most eventful era in human history, when history itself had trembled on the brink of extinction; the era of the great plague, the Crash, the New Reproductive System, and the nanotech revolution.
“He designs beautiful flowers,” Julia said. “He’s an artist. There are very few true artists in the world.” “But he’s not original,” Stuart