Artemis Fowl_ The Opal Deception - Eoin Colfer [105]
“Mulch and I have our first client. He’s an art dealer who’s had a picture stolen. Frankly, I’m flummoxed, so I thought I’d ask an expert.”
Artemis smiled. “I suppose I do have some expertise in the area of stolen art. Tell me what happened.”
“The thing is, there’s no way in or out of this exhibit without detection. The painting is just gone. Not even warlocks have that kind of magic.”
Artemis heard footsteps on the stairs. “Hang on a second, Holly. Someone’s coming.”
Butler burst in the door, pistol drawn. “I just woke up,” he said. “Are you all right?”
“Fine,” said Artemis. “You can put that away.”
“I was half hoping Sool was still here so I could scare him a little.” Butler crossed to the window and pulled aside the net curtains. “There’s a car coming up the avenue. It’s your parents back from the spa in Westmeath. We’d better get our stories straight. Why did we come home from Germany?”
Artemis thought quickly. “Let’s just say I felt homesick. I missed being my parents’ son. That’s true enough.”
Butler smiled. “I like that excuse. I hope you won’t need to use it again.”
“I don’t intend to.”
Butler held out a rolled-up canvas. “And what about this? Have you decided what you should do with it?”
Artemis took The Fairy Thief and spread it on the bed before him. It really was beautiful. “Yes, old friend. I have decided to do what I should do. Now, can you stall my parents at the door; I need to take this call.”
Butler nodded, running down the stairs three at a time.
Artemis returned to the communicator. “Now, Holly, about your little problem. Have you considered the fact that the picture you seek may still be in the room, and our thief may have simply moved it?”
“That’s the first thing I thought of. Come on, Artemis, you’re supposed to be a genius. Use your brain.”
Artemis scratched his chin. He was finding it difficult to concentrate. He heard tires crunching on the drive, and then his mother’s voice laughing as she climbed from the car.
“Arty?” she called. “Come down. We need to see you.”
“Come down, Arty boy,” shouted his father. “Welcome us home.”
Artemis found that he was smiling. “Holly, can you call me back later? I’m busy right now.”
Holly tried to scowl. “Okay. Five hours, and you’d better have some suggestions for me.”
“Don’t worry, I will. And also my consultant’s bill.”
“Some things never change,” said Holly, and closed the link.
Artemis quickly locked the communicator in his room safe, then ran to the stairs.
His mother was at the bottom of the steps, and her arms were open wide.
EPILOGUE
An Article from The Irish Times, by Eugene Driscoll, Culture Correspondent
Last week the art world was left reeling following the discovery of a lost painting by Pascal Hervé, the French Impres-sionist master. The rumored recovery of The Fairy Thief (oil on canvas) was confirmed when the painting was sent to the Louvre Museum in Paris. Someone, presumably an art lover, actually used the regular mail service to post the priceless masterpiece to the curator. The authenticity of the work has been confirmed by six independent experts.
A spokesman for the Louvre has stated that the picture will be exhibited within the next month. So, for the first time in almost a century, everyday art lovers will be able to enjoy Hervé’s masterpiece.
But perhaps the most tantalizing part of this whole affair is the typed note that came with The Fairy Thief. The note read simply “More to follow.”
Is someone out there reclaiming lost or stolen masters for the people? If so, collectors beware. No secret vault is safe. This correspondent waits with bated breath. More to follow. Art lovers all over the world certainly hope so!
Casa Milà was an early twentieth-century dwelling designed by the Spanish art nouveau architect Antoni Gaudí. The façade consisted of curved walls and balconies topped by twisted ironworks. The walkway outside the building was thronged with tourists lining up for an afternoon tour of the spectacular house.
“Will we recognize our visitor among all these people? Are you sure that he is