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As I Lay Dying - William Faulkner [47]

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of the darkness into the vessel, until the jar stood full and motionless: a significant shape profoundly without Me like an empty door frame; and then I would find that I had forgotten the name of the jar. I would think: The shape of my body where I used to be a virgin is in the shape of a and I couldn't think Anse, couldn't remember Anse. It was not that I could think of myself as no longer unvirgin, because I was three now. And when I would think Cash and Darl that way until their names would die and solidify into a shape and then fade away, I would say, All right. It doesn't matter. It doesn't matter what they call them.

And so when Cora Tull would tell me I was not a true mother, I would think how words go straight up in a thin, line, quick and harmless, and how terribly doing goes along the earth, clinging to it, so that after a while the two lines are too far apart for the same person to straddle from one to the other and that sin and love and fear are-just sounds that people who never sinned nor loved nor feared have for what they never had and cannot have until they forget the words. Like Cora, who could never even cook.

She would tell me what I owed to my children and to Anse and to God. I gave Anse the children. I did not ask for them. I did not even ask him for what he could have given me: not-Anse. That was my duty to him, to not ask that, and that duty I fulfilled. I would be I; I would let him be the shape and echo of his word. That was more than he asked, because he could not have asked for that and been Anse, using himself so with a word.

And then he died. He did not know he was dead. I would lie by him in the dark, hearing the dark land talking of Cod's love and His beauty and His sin; hearing the dark voicelessness in which the words are the deeds, and the other words that are not deeds, that are just the gaps in peoples' lacks, coming down like the cries of the geese out of the wild darkness in the old terrible nights, fumbling at the deeds like orphans to whom are pointed out in a crowd two faces and told, That is your father, your mother.

I believed that I had found it. I believed that the reason was the duty to the alive, to the terrible blood, the red bitter flood boiling through the land. I would think of sin as I would think of the clothes we both wore in the world's face, of the circumspection necessary because he was he and I was I; the sin the more utter and terrible since he was the instrument ordained by God who created the sin, to sanctify that sin He had created. While I waited for him in the woods, waiting for him before he saw me, I would think of him as dressed in sin. I would think of him as thinking of me as dressed also in sin, he the more beautiful since the garment which he had exchanged for sin was sanctified. I would think of the sin as garments which we would remove in order to shape and coerce the terrible blood to the forlorn echo of the dead word high in the air. Then I would lay with Anse again—I did not lie to him: I just refused, just as I refused my breast to Cash, and Darl after their time was up—hearing the dark land talking the voiceless speech.

I hid nothing. I tried to deceive no one. I would not have cared. I merely took the precautions that he thought necessary for his sake, not for my safety, but just as I wore clothes in the world's face. And I would think then when Cora talked to me, of how the high dead words in time seemed to lose even the significance of their dead sound.

Then it was over. Over in the sense that he was gone and I knew that, see him again though I would, I would never again see him coming swift and secret to me in the woods dressed in sin like a gallant garment already blowing aside with the speed of his secret coming.

But for me it was not over. I mean, over in the sense of beginning and ending, because to me there was no beginning nor ending to anything then. I even held Anse refraining still, not that I was holding him recessional, but as though nothing else had ever been. My children were of me alone, of the wild blood boiling along

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