Ashworth Hall - Anne Perry [63]
“Killed?” Thurgood looked startled. Suddenly his slight officiousness vanished and he looked elderly and rather rumpled.
“Yes, I’m afraid so,” Piers continued. “But please tell the staff there will be no changes, and they are to continue as usual. They must not discuss it yet, because it has not been in the newspapers, and we have not informed the other members of the family.”
It rose to Pitt’s tongue to ask Thurgood not to mention it at all, but he realized before he spoke that that would be an impossibility. The man’s shock was all too apparent. Others would draw the news from him even if he were unwilling. The air of tragedy and fear was already in the house.
“Perhaps you would arrange a hot toddy for us,” Piers went on. “It’s been a long ride. And then luncheon at about one. We’ll take it in the library. A little cold meat or pie, whatever you have.”
“Yes sir. I’m very sorry, sir. I’m sure the other staff will wish me to convey their sympathies also,” Thurgood said awkwardly. “When shall we expect the mistress home, sir? And of course there will be … arrangements ….”
“I don’t know yet. I’m sorry.” Piers frowned. “Do you understand, Thurgood, this is a government secret at the moment? I think perhaps you had better tell the housekeeper and no one else. Treat it as a family embarrassment, if you like.” He glanced at Pitt and smiled with a little twist of the mouth. “Use the same discretion you would if you had overheard a confession to something shameful.”
Thurgood obviously did not understand, but his face reflected bland obedience.
When he had withdrawn. Piers led the way to the library, with his father’s large desk in one corner. The room was cold, but the fire was laid, and Piers bent and lit it without bothering to call a servant. As soon as he was sure it had caught, he straightened up and produced keys to open the desk drawers.
The first one yielded personal accounts, and Pitt read through them without expecting to find anything of interest. There were tailors’ bills, and shirtmakers’; receipts for two pairs of very expensive boots, onyx-faced shirt studs and a fan of carved ivory and lace, an enameled pillbox with a painting of a lady on a swing, and three bottles of lavender water. They were all dated within the last month. It seemed Greville had been a very generous husband. It surprised Pitt. He had not observed such affection or imagination in him. Eudora was going to find the loss bitter. The private man had obviously been more sensitive and far more emotional than the public politician.
He stood still, holding the papers in his hand, looking around the well-furnished library with its book-lined walls, a few excellent paintings, mostly of scenes from Africa, water-colors of Table Mountain and the sweeping skies of the Veldt. The books in the cases were largely sets of volumes, uniformly bound in leather, but one case seemed to hold odd ones, and from the armchair it was the most easily accessible. He would look at them if he had time. Greville had suddenly become more interesting as a man, a sharper loss now that Pitt had seen his humanity, a sense of his inner emotion.
Piers was looking through the drawers on the further side of the desk. He straightened up, several letters in his hand.
“I think I have them,” he said grimly, holding them forward. “Some of them are threatening.” He looked puzzled, hurt. “Only two are anonymous or sound political.” He stared at Pitt, uncertain what he wanted to say. Twice he started, stopped again, and then simply put out his hand with the papers.
Pitt took them and looked at the first. It was printed in block letters and extremely simple.
Do not betray Ireland or you will be sorry.