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At Home - Bill Bryson [1]

By Root 1980 0
and was eager to have a look. It is a handsome and ancient building, older than Notre Dame in Paris and about the same vintage as Chartres and Salisbury cathedrals. But Norfolk is full of medieval churches—it has 659 of them, more per square mile than anywhere else in the world—so any one is easily overlooked.

“Have you ever noticed,” Brian asked as we stepped into the churchyard, “how country churches nearly always seem to be sinking into the ground?” He pointed out how this one stood in a slight depression, like a weight placed on a cushion. The church foundations were about three feet below the churchyard around it. “Do you know why that is?”

I allowed, as I often do when following Brian around, that I had no idea.

“Well, it isn’t because the church is sinking,” Brian said, smiling. “It’s because the churchyard has risen. How many people do you suppose are buried here?”

I glanced appraisingly at the gravestones and said, “I don’t know. Eighty? A hundred?”

“I think that’s probably a bit of an underestimate,” Brian replied with an air of kindly equanimity. “Think about it. A country parish like this has an average of 250 people in it, which translates into roughly a thousand adult deaths per century, plus a few thousand more poor souls that didn’t make it to maturity. Multiply that by the number of centuries that the church has been there and you can see that what you have here is not eighty or a hundred burials, but probably something more on the order of, say, twenty thousand.”

This was, bear in mind, just steps from my front door. “Twenty thousand?” I said.

He nodded matter-of-factly. “That’s a lot of mass, needless to say. It’s why the ground has risen three feet.” He gave me a moment to absorb this, then went on: “There are a thousand parishes in Norfolk. Multiply all the centuries of human activity by a thousand parishes and you can see that you are looking at a lot of material culture.” He considered the several steeples that featured in the view. “From here you can see into perhaps ten or twelve other parishes, so you are probably looking at roughly a quarter of a million burials right here in the immediate landscape—all in a place that has never been anything but quiet and rural, where nothing much has ever happened.”

All this was Brian’s way of explaining how a bucolic, lightly populated county like Norfolk could produce twenty-seven thousand archaeological finds a year, more than any other county in England. “People have been dropping things here for a long time—since long before England was England.” He showed me a map of all the known archaeological finds in our parish. Nearly every field had yielded something—Neolithic tools, Roman coins and pottery, Saxon brooches, Bronze Age graves, Viking farmsteads. Just beyond the edge of our property in 1985 a farmer crossing a field found a rare, impossible-to-misconstrue Roman phallic pendant.

To me that was, and remains, an amazement: the idea of a man in a toga, standing on what is now the edge of my land, patting himself all over, and realizing with consternation that he has lost his treasured keepsake, which then lay in the soil for seventeen or eighteen centuries—through endless generations of human activity; through the comings and goings of Saxons, Vikings, and Normans; through the rise of the English language, the birth of the English nation, the development of continuous monarchy and all the rest—before finally being picked up by a late-twentieth-century farmer, presumably with a look of consternation of his own.

Now as I stood on the roof of my house, taking in this unexpected view, it struck me how rather glorious it was that in two thousand years of human activity the only thing that had stirred the notice of the outside world even briefly was the finding of a Roman phallic pendant. The rest was just centuries and centuries of people quietly going about their daily business—eating, sleeping, having sex, endeavoring to be amused—and it occurred to me, with the forcefulness of a thought experienced in 360 degrees, that that’s really what history

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