At Home - Bill Bryson [41]
Had you arrived at the Old Rectory at a time when the housekeeper, Miss Worm, and her assistant, a nineteen-year-old village girl named Martha Seely, were baking or cooking, you may well have found them doing something that until recently had not been done at all—carefully measuring out ingredients. Until almost the middle of the century instructions in cookbooks were always wonderfully imprecise, calling merely for “some flour” or “enough milk.” What changed all that was a revolutionary book by a shy, sweet-natured poet in Kent named Eliza Acton. Because Miss Acton’s poems weren’t selling, her publisher gently suggested she might try something more commercial, and in 1845, she produced Modern Cookery for Private Families. It was the first book to give exact measurements and cooking times, and it became the work on which all cookbooks since have been, almost always unwittingly, modeled.
The book enjoyed considerable success but then was abruptly shouldered aside by a brasher work—the vastly, lastingly, powerfully, mystifyingly influential Book of Household Management by Isabella Beeton. There has never been another book quite like it, both for influence and content. It was an instant success and would remain a success well into the following century.
Mrs. Beeton made clear that running a household was a grave and cheerless business: “As with the commander of an Army, or the leader of any enterprise, so it is with the mistress of a house.” Only a moment earlier she had saluted her own selfless heroism: “I must frankly own, that if I had known, beforehand, that this book would cost me the labour which it has, I should never have been courageous enough to commence it,” she declared, leaving the reader with a sense of mild gloom and guilty indebtedness.
Its title notwithstanding, The Book of Household Management whips through its professed subject in just twenty-three pages, then turns to cooking for nearly the whole of the next nine hundred. Despite this bias toward the kitchen, however, Mrs. Beeton didn’t actually like cooking and didn’t go near her own kitchen if she could possibly help it. You don’t have to read far into the recipes to begin to suspect as much—when she suggests, for instance, boiling pasta for an hour and three quarters. Like many of her nation and generation, she had an innate suspicion of anything exotic. Mangoes, she said, were liked only “by those who have not a prejudice against turpentine.” Lobsters she found “rather indigestible” and “not so nutritive as they are generally supposed to be.” Garlic was “offensive.” Potatoes were “suspicious; a great many are narcotic, and many are deleterious.” Cheese she thought fit only for sedentary people—she didn’t say why—and then only “in very small quantities.” Especially to be avoided were cheeses with veins, since these were fungal growths. “Generally speaking,” she added, just a touch ambiguously, “decomposing bodies are not wholesome eating, and the line must be drawn somewhere.” Worst of all was the tomato: “The whole plant has a disagreeable odour, and its juice, subjected to the action of the fire, emits a vapour so powerful as to cause vertigo and vomiting.”
Mrs. Beeton appears to have been unacquainted with ice as a preservative, but we may safely assume that she wouldn’t have liked it, for she didn’t like chilled things generally. “The aged, the delicate and children should abstain from ices or cold beverages,” she wrote. “It is also necessary to abstain from them when persons are very warm, or immediately after taking violent exercise, as in some cases they have produced illnesses which have ended fatally.” A great many foods and activities had fatal consequences in Mrs. Beeton’s book.
For all her matronly airs, Mrs. Beeton was just twenty-three when she began the book. She wrote it for her husband’s publishing company,