At Lady Molly's - Anthony Powell [86]
This escapade of Erridge’s—at present it was spoken of merely as an escapade, because any question of marriage must in the first instance depend upon whether or not Mona was already Quiggin’s wife—very considerably magnetised the atmosphere when for the first time I came to see his stepmother. No one yet knew how much Lady Warminster, on the whole alarmingly well informed on all topics connected with her relations, had up to that time been able to discover about Erridge and Mona. She was suspected, as usual, of possessing more information than she was prepared to admit. Like a foreign statesman, who, during important international negotiations, insists upon the medium of an interpreter in spite of his own familiarity with the language in which discussion is being conducted, she preferred every approach to be devious, and translated into her own idiom.
Although, by then, I had often visited the house in Hyde Park Gardens, she and I had not met on those earlier occasions, chiefly because Lady Warminster’s health kept her for weeks at a time confined to her room. Views differed as to the extent to which hypochondria governed her life, some alleging that no one enjoyed better health, others taking her side in insisting that, delicate since childhood, she bore her ailments courageously. Smaller, older, quieter in manner and more handsome than Molly Jeavons, she was also much more awe-inspiring. Something of the witch haunted her delicate, aquiline features and transparent ivory skin: a calm, autumnal beauty that did not at all mask the amused, malicious, almost insane light that glinted all the time in her infinitely pale blue eyes. When young, she must have been very good looking indeed.
Unlike her sister, who was entirely detached from intellectual interests of any sort, Lady Warminster lived largely in a world of the imagination. Her house, a complete contrast to the Jeavonses’, reflected the more ordered side of her nature, surprising by the conventionality of its taste and air of stylised repose; at least until the rooms given over to her stepchildren were reached. These quiet, rich, rather too heavy decorations and furniture were deceptive. Little about the house could be thought quiet, or conventional, when closely examined. Perhaps, after all, when closely examined, no sort of individual life can truly be so labelled. However, against this formal background, when her health allowed, Lady Warminster wrote her books, historical studies of the dominating women of the past: Catherine the Great: Christina of Sweden: Sarah, Duchess of Marlborough: volumes rarely mentioned in the press, though usually kindly treated by such critics as noticed them, on account of their engaging impetuosity of style and complete lack of pretension to any serious scholarship.
This literary preoccupation with feminine authority had come to Katherine Warminster, so it appeared, only after