At Lady Molly's - Anthony Powell [90]
The general impression of Lord Sleaford that emerged from these fragments of information was certainly that of a person rather unusually lacking in any quality of liveliness or distinction. Dispiriting years as a younger son had destroyed in him any enterprise or geniality he might once have possessed. That was Lovell’s theory. Like Alfred Tolland, he had consistently failed to make a career for himself, while at the same time lacking the philosophic detachment which gave Alfred Tolland a certain moral dignity: even a kind of saintliness. Inheritance of Dogdene had come too late to alter his routine, set, no doubt congenially, in an unimaginative mould. Such was the portrait painted by Lovell, in which Lord Sleaford lived in my imagination with a certain rugged reality of his own; although I sometimes wondered whether, in this individual case, the uncompromising monochrome of Lovell’s pigment might be tinged by the possibility that Lord Sleaford himself did not greatly care for his nephew: perhaps openly disapproved of him. That was a contingency to be borne in mind.
Lady Sleaford, as depicted by Lovell, possessed for me, on the other hand, none of her husband’s clarity of outline. She was given no highlights, except the crumb of praise that she ‘did her best’. Lovell had contrived to afford her no separate existence. She was simply the wife of Lord Sleaford. I pictured her as embodying all the unreality of a dowager on the stage: grey-haired: grotesquely dressed: speaking in a stiff, affected manner: possibly gazing through a lorgnette: a figure belonging to Edwardian drawing-room comedy. Armed with this vision of the Sleafords, I could not help wondering how Widmerpool had been asked to their house, according to Lovell, so rarely visited.
‘Easy to explain,’ said Lovell. ‘Aunt Alice, the most conventional woman alive, is also one of those tremendously respectable people who long to know someone they regard as disreputable. To have Mildred Haycock as a friend has been the great adventure of Aunt Alice’s life.’
‘And she includes Mrs. Haycock’s husbands?’
‘Not necessarily,’ said Lovell. ‘You’ve got something when you ask that. I very much doubt whether Haycock ever reached Dogdene. However, as the Widmerpool engagement took place over here—and Mildred, in any case, coming to England so rarely—I suppose an invitation to both of them was hard to refuse. You see, Mildred almost certainly invited herself. She probably took the opportunity of asking if her young man could come too.’
This was a credible explanation.
‘It is just like the Sleafords,’ said Lovell, ‘that Aunt Alice should disapprove of Molly Jeavons, who is really so frightfully well behaved, in spite of the ramshackle way in which she lives, and take to her bosom someone like Mildred, who has slept with every old-timer between Cannes and St. Tropez.’
‘What will the Sleafords think about Widmerpool?’
‘He sounds just the sort of chap Uncle Geoffrey will like. Probably talk stocks and shares all day long, and go to bed every night at half-past ten sharp, after one glass of port. The port is quite good at Dogdene, I must admit. Only because no one has ever bothered to drink it. All the same, I am a bit surprised myself by their both getting an invitation. It is not so easy to penetrate Dogdene these days. I know. I’ve tried.’
I was, naturally, much occupied at this period with my own affairs, so that was all I heard about Widmerpool going to Dogdene before learning from Lovell—quite by chance one day at the Studio—that Mrs. Haycock’s engagement had been broken off. Lovell hardly knew Widmerpool. He would have had no particular concern with the engagement had not Dogdene provided the background for this event. He had no details. I learnt more of the story as a result of Molly Jeavons announcing: ‘I shall have a few people in next week, Nicholas, a sort of party for yourself and Isobel. Something quite small.’
When I had next been to the Jeavonses’ house after the visit to Umfraville’s night