Atlas Shrugged [484]
It was strange to feel so pure a joy in the simple task of preparing a breakfast. The work seemed an end in itself, as if the motions of filling a coffee pot, squeezing oranges, slicing bread were performed for their own sake, for the sort of pleasure one expects, but seldom finds, in the motions of dancing. It startled her to realize that she had not experienced this kind of pleasure in her work since her days at the operator's desk in Rockdale Station.
She was setting the table, when she saw the figure of a man hurrying up the path to the house, a swift, agile figure that leaped over boulders with the casual ease of a flight. He threw the door open, calling, "Hey, John!"-and stopped short as he saw her. He wore a dark blue sweater and slacks, he had gold hair and a face of such shocking perfection of beauty that she stood still, staring at him, not in admiration, at first, but in simple disbelief.
He looked at her as if he had not expected to find a woman in this house. Then she saw a look of recognition melting into a different kind of astonishment, part amusement, part triumph melting into a chuckle.
"Oh, have you joined us?" he asked.
"No," she answered dryly, "I haven't. I'm a scab."
He laughed, like an adult at a child who uses technological words beyond its understanding. "If you know what you're saying, you know that it's not possible," he said. "Not here."
"I crashed the gate. Literally."
He looked at her bandages, weighing the question, his glance almost insolent in its open curiosity. "When?"
"Yesterday."
"How?"
"In a plane."
"What were you doing in a plane in this part of the country?"
He had the direct, imperious manner of an aristocrat or a roughneck; he looked like one and was dressed like the other. She considered him for a moment, deliberately letting him wait. "I was trying to land on a prehistorical mirage," she answered. "And I have."
"You are a scab," he said, and chuckled, as if grasping all the implications of the problem. "Where's John?"
"Mr. Galt is at the powerhouse. He should be back any moment."
He sat down in an armchair, asking no permission, as if he were at home. She turned silently to her work. He sat watching her movements with an open grin, as if the sight of her laying out cutlery on a kitchen table were the spectacle of some special paradox.
"What did Francisco say when he saw you here?" he asked.
She turned to him with a slight jolt, but answered evenly, "He is not here yet."
"Not yet?" He seemed startled. "Are you sure?"
"So I was told."
He lighted a cigarette. She wondered, watching him, what profession he had chosen, loved and abandoned in order to join this valley. She could make no guess; none seemed to fit; she caught herself in the preposterous feeling of wishing that he had no profession at all, because any work seemed too dangerous for his incredible kind of beauty. It was an impersonal feeling, she did not look at him as at a man, but as at an animated work of art-and it seemed to be a stressed indignity of the outer world that a perfection such as his should be subjected to the shocks, the strains, the scars reserved for any man who loved his work.
But the feeling seemed the more preposterous, because the lines of his face had the sort of hardness for which no danger on earth was a match, "No, Miss Taggart," he said suddenly, catching her glance, "you've never seen me before."
She was shocked to realize that she had been studying him openly.
"How do you happen to know who I am?" she asked.
"First, I've seen your pictures in the papers many times. Second, you're the only woman left in the outer world, to the best of our knowledge, who'd be allowed to enter Galt's Gulch, Third, you're the only woman who'd have the courage-and prodigality-still to remain a scab."
"What